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The Frontier Hero in Vietnam - Reconstruction of a Myth - Henrik Brendel
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Henrik Brendel:

The Frontier Hero in Vietnam - Reconstruction of a Myth - Taschenbuch

2016, ISBN: 9783656128786

Gebundene Ausgabe, ID: 565640000

Discovery Publishing House Pvt. Ltd., 2011. Hardcover. New. A glimpse of an Environmental Modelling and morphometric Impressions of `Chitrakut upland` is not merely praiseworthy due to its present Landscape Mosaics but it has its greater grandeur and magnanimity of Hindu Mythology since `Ramayan period` as a Sacred grove of `Lord Rama` during his fourteen year`s of exile. An interesting environs of past and present morphological semblance of upland attracts the investigator by itself for the Illustration of various Views of landforms as ornamented in the state of the region. Thus, the present work has passed through the different facets of derivation of morphometric data obtained from the Topographical sheets of survey of India, the classification of derived data, their interpretation and examination through different Measures of statistical techniques, graphical representation, verification of derived data through intensive field work, testing of hypothesis and ultimately formulation of theory of land form development in the Framework of general conclusions. Contents, 1. Elements of Physical Environment 2. Topographic Variations, Physiographic Regionalisation and Drainage System 3. Linear Properties of Drainage Network 4. Areal Properties of Drainage Network 5. Relief Properties of Drainage Network 6. Major Components of Drainage Hierarchy 7. Slope Evolution and Environmental Control 8. Micro-Relief Analysis 9. Drainage Dissection and Profile Analysis 10. Groundwater Analysis and Environmental Planning 11. Models of Inter Correlated Morphometric, Variables, Denudation Chronology and Plantation Surfaces Printed Pages: 256., Discovery Publishing House Pvt. Ltd., 2011, Discovery Publishing House Pvt. Ltd., 2011. Hardcover. New. A glimpse of an Environmental Modelling and morphometric Impressions of `Chitrakut upland` is not merely praiseworthy due to its present Landscape Mosaics but it has its greater grandeur and magnanimity of Hindu Mythology since `Ramayan period` as a Sacred grove of `Lord Rama` during his fourteen year`s of exile. An interesting environs of past and present morphological semblance of upland attracts the investigator by itself for the Illustration of various Views of landforms as ornamented in the state of the region. Thus, the present work has passed through the different facets of derivation of morphometric data obtained from the Topographical sheets of survey of India, the classification of derived data, their interpretation and examination through different Measures of statistical techniques, graphical representation, verification of derived data through intensive field work, testing of hypothesis and ultimately formulation of theory of land form development in the Framework of general conclusions. Contents, 1. Elements of Physical Environment 2. Topographic Variations, Physiographic Regionalisation and Drainage System 3. Linear Properties of Drainage Network 4. Areal Properties of Drainage Network 5. Relief Properties of Drainage Network 6. Major Components of Drainage Hierarchy 7. Slope Evolution and Environmental Control 8. Micro-Relief Analysis 9. Drainage Dissection and Profile Analysis 10. Groundwater Analysis and Environmental Planning 11. Models of Inter Correlated Morphometric, Variables, Denudation Chronology and Plantation Surfaces Printed Pages: 256., Discovery Publishing House Pvt. Ltd., 2011, D.K. Printworld (P) Ltd.. Hardcover. New. 15 x 23 cm. The book is decidedly the very first of its kind. It seeks to weigh some basic facts and concepts of Hindustani sangeet (music, rhythm, and Kathak dance) against the art theories of Susanne K. Langer, an eminent aesthetician of the recent past; but nowhere without meticulous attention to the text of her writings. The expression theory of art has for long dominated the history of aesthetics. At the hands of Langer, however, the theory takes a new turn. She conceives of art not as a direct self-expression of the artist`s immediate affective state, but as a symbolic expression of his knowledge of what she terms variously as felt life, sentience, or forms of feeling. Drawing freely upon examples from the region of Hindustani sangeet, the present book accepts Langer`s protest against the popular view of artistic expression, but contends that there is a good deal in our music and dance which has nothing to do with feeling, and is admired simply because of its sweetness, clarity, shapeliness, and accordance with grammatical norms. In the chapter on music, while discussing Langer`s emphasis on `commanding form` in a total performance, the author proposes a quite new definition of raga which seeks to integrate the various points in its traditional characterizations. The third chapter too, which deals with Langer`s view of rhythm, is not merely explanatory, but ventures to propose a fresh and fairly defensible definition of rhythm. The closing chapter, devoted to dance, not only essays to meet some key objections to Langer`s writing on this art, but clarifies some atypical language that she uses in this context: apparition of vital powers; the dynamic image; virtual realities; and the created, `superhuman` dance-personality. But perhaps the two most striking features of the book are: first, a lucid exposition of the essentials of Langer`s aesthetics in the opening chapter; and, second, abounding illustrative references to Hindustani sangeet. Book Contents Preface Acknowledgments 1. Langer`s Theory of Art : Some Essentials Art as Expression Langer on Expression: Some Questions Creation of Art Some Basic Distinctions Artistic Expression as Logical Art as Symbolic `Livingness` and Organic Character of Art Organic Form and Rhythms: Primary, Secondary An Important Distinction Art-Reality Difference (Contd.) How Art can (yet) Symbolize LIfe Sources of `Livingness` in Art Felt Life and Art: A Parallel Organic Unity and a Poem `Transformation` of Life in Art The Poem-Again `Life` or Import of a Work of Art The `Expressed` in Art: Interpreting Langer`s View Form in Art Form, Artistic Import, and Logical Intuition Some Critical Remarks Art and the `Forms` of Feeling Langer on Poetry: A Criticism Residual Disagreements 2. Of Music: Langer and an Indian Genre Raga in Indian Music Composition in Music Musical Elements and Acts in Life Objectivity of Composition (or Bandish) `Commanding Form` -- Composition or Raga? Is Full-Blown Alapa a `Form`? Langer on Music and Feeling The Great Office of Music The Crux of Langer`s View The Value of Music Tonal Structures and `Forms of Feeling` Is Music Essentially Non-Representational ? Music, Pure Duration, and `Lived` Time Is the Import of Music Symbolic ? Intuitive Seizure of Music`s Import But, then, how is Music`s `Sensuous` Form Symbolic ? An Alternative: The Beautiful in Music `Illusions` in Music and its `Great Office` Music`s Substantial Qualities The Unity of Musical Form -- Illustrated Identical Gestalts with Unlike Expressiveness How is a Work `Individual`? Artistic Form as Vital, Organic Art-Elements and Life-Acts Anew Dialectic, Phase Principle, and a Work`s Unity Vir Printed Pages: 396., D.K. Printworld (P) Ltd., D.K. Printworld (P) Ltd.. Hardcover. New. 15 x 23 cm. The book is decidedly the very first of its kind. It seeks to weigh some basic facts and concepts of Hindustani sangeet (music, rhythm, and Kathak dance) against the art theories of Susanne K. Langer, an eminent aesthetician of the recent past; but nowhere without meticulous attention to the text of her writings. The expression theory of art has for long dominated the history of aesthetics. At the hands of Langer, however, the theory takes a new turn. She conceives of art not as a direct self-expression of the artist`s immediate affective state, but as a symbolic expression of his knowledge of what she terms variously as felt life, sentience, or forms of feeling. Drawing freely upon examples from the region of Hindustani sangeet, the present book accepts Langer`s protest against the popular view of artistic expression, but contends that there is a good deal in our music and dance which has nothing to do with feeling, and is admired simply because of its sweetness, clarity, shapeliness, and accordance with grammatical norms. In the chapter on music, while discussing Langer`s emphasis on `commanding form` in a total performance, the author proposes a quite new definition of raga which seeks to integrate the various points in its traditional characterizations. The third chapter too, which deals with Langer`s view of rhythm, is not merely explanatory, but ventures to propose a fresh and fairly defensible definition of rhythm. The closing chapter, devoted to dance, not only essays to meet some key objections to Langer`s writing on this art, but clarifies some atypical language that she uses in this context: apparition of vital powers; the dynamic image; virtual realities; and the created, `superhuman` dance-personality. But perhaps the two most striking features of the book are: first, a lucid exposition of the essentials of Langer`s aesthetics in the opening chapter; and, second, abounding illustrative references to Hindustani sangeet. Book Contents Preface Acknowledgments 1. Langer`s Theory of Art : Some Essentials Art as Expression Langer on Expression: Some Questions Creation of Art Some Basic Distinctions Artistic Expression as Logical Art as Symbolic `Livingness` and Organic Character of Art Organic Form and Rhythms: Primary, Secondary An Important Distinction Art-Reality Difference (Contd.) How Art can (yet) Symbolize LIfe Sources of `Livingness` in Art Felt Life and Art: A Parallel Organic Unity and a Poem `Transformation` of Life in Art The Poem-Again `Life` or Import of a Work of Art The `Expressed` in Art: Interpreting Langer`s View Form in Art Form, Artistic Import, and Logical Intuition Some Critical Remarks Art and the `Forms` of Feeling Langer on Poetry: A Criticism Residual Disagreements 2. Of Music: Langer and an Indian Genre Raga in Indian Music Composition in Music Musical Elements and Acts in Life Objectivity of Composition (or Bandish) `Commanding Form` -- Composition or Raga? Is Full-Blown Alapa a `Form`? Langer on Music and Feeling The Great Office of Music The Crux of Langer`s View The Value of Music Tonal Structures and `Forms of Feeling` Is Music Essentially Non-Representational ? Music, Pure Duration, and `Lived` Time Is the Import of Music Symbolic ? Intuitive Seizure of Music`s Import But, then, how is Music`s `Sensuous` Form Symbolic ? An Alternative: The Beautiful in Music `Illusions` in Music and its `Great Office` Music`s Substantial Qualities The Unity of Musical Form -- Illustrated Identical Gestalts with Unlike Expressiveness How is a Work `Individual`? Artistic Form as Vital, Organic Art-Elements and Life-Acts Anew Dialectic, Phase Principle, and a Work`s Unity Vir Printed Pages: 396., D.K. Printworld (P) Ltd., S. Chand & Company Ltd, 2015. 5th or later edition. Softcover. New. 17 x 24 cm. CONTENTS: I. INTRODUCTION : 1. Definition 2. Sub-divisions of Theory of Machines 3. Fundamental Units 4. Derived Units 5. Systems of Units 6. C.G.S. Units 7. F.P.S. Units 8. M.K.S. Units 9. International System of Units (S.I. Units) 10. Metre 11. Kilogram 12. Second 13. Presentation of Units and their Values 14. Rules for S.I. Units 15. Force 16. Resultant Force 17. Scalars and Vectors 18. Representation of Vector Quantities 19. Addition of Vectors 20. Subtraction of Vectors II. KINEMATICS OF MOTION : 1. Introduction 2. Plane Motion 3. Rectilinear Motion 4. Curvilinear Motion 5. Linear Displacement 6. Linear Velocity 7. Linear Acceleration 8. Equations of Linear Motion 9. Graphical Representation of Displacement with respect to Time 10. Graphical Representation of Velocity with respect to Time. 11. Graphical Representation of Acceleration with respect to Time 12. Angular Displacement 13. Representation of Angular Displacement by a Vector 14. Angular Velocity 15. Angular Acceleration 16. Equations of Angular Motion 17. Relation between Linear Motion and Angular Motion 18. Relation between Linear and Angular` Quantities of Motion 19. Acceleration of a Particle along a Circular Path III. KINETICS OF MOTION : 1. Introduction 2. Newton`s Laws of Motion 3. Mass and Weight 4. Momentum 5. Force 6. Absolute and Gravitational Units of Force 7. Moment of a Force 8. Couple 9. Centripetal and Centrifugal Force 10. Mass Moment of Inertia 11. Angular Momentum or Moment of Momentum 12. Torque 13. Work 14. Power 15. Energy 16. Principle of Conservation of Energy 17. Impulse and Impulsive Force 18. Principle of Conservation of Momentum 19. Energy Lost by Friction Clutch During Engagement 20. Torque Required to Accelerate a Geared System 21. Collision of Two Bodies 22. Collision of Inelastic Bodies 23. Collision of Elastic Bodies 24. Loss of Kinetic Energy During Elastic Impact IV. SIMPLE HARMONIC MOTION : 1. Introduction 2. Velocity and Acceleration of a Particle Moving with Simple Harmonic Motion 3. Differential Equation of Simple Harmonic Motion 4. Terms Used in Simple Harmonic Motion 5. Simple Pendulum 6. Laws of Simple Pendulum 7. Closely-coiled Helical Spring 8. Compound Pendulum 9. Centre of Percussion 10. Bifilar Suspension 11. Trifilar Suspension (Torsional Pendulum) V. SIMPLE MECHANISMS : 1. Introduction 2. Kinematic Link or Element 3. Types of Links 4. Structure 5. Difference Between a Machine and a Structure 6. Kinematic Pair 7. Types of Constrained Motions 8. Classification of Kinematic Pairs 9. Kinematic Chain 10. Types of Joints in a Chain 11. Mechanism 12. Number of Degrees of Freedom for Plane Mechanisms 13. Application of Kutzbach Criterion to Plane Mechanisms 14. Grubler`s Criterion for Plane Mechanisms 15. Inversion of Mechanism 16. Types of Kinematic Chains 17. Four Bar Chain or Quadric Cycle Chain 18. Inversions of Four Bar Chain 19. Single Slider Crank Chain 20. Inversions of Single Slider Crank Chain 21. Double Slider Crank Chain 22. In versions of Double Slider Crank Chain VI. VELOCITY IN MECHANISMS (INSTANTANEOUS CENTRE METHOD) : 1. Introduction 2. Space and Body Centrodes 3. Methods for Determining the Velocity of a Point on a Link 4. Velocity of a Point on a Link by Instantaneous Centre Method 5. Properties of the Instantaneous Centre 6. Number of Instantaneous Centres in a Mechanism 7. Types of Instantaneous Centres 8. Location of Instantaneous Centres 9. Aronhold Kennedy (or Three Centres-in-Line) Theorem 10. Method of Locating Instantaneous Centres in a Mechanism VII. VELOCITY IN MECHANISMS (RELATIVE VELOCITY METHOD) : 1. Introduction 2. Relative Velocity of Two Bodies Moving in Straight Lines 3. Motion of a Link 4. Velocity of a Point on a Link by Relative Velocity Method 5. Velocities in a Slider Crank Mechanism 6. Rubbing Velocity at a Pin Joint 7. Forces Acting in a Mechanism 8. Mec Printed Pages: 1071., S. Chand & Company Ltd, 2015, S. Chand & Company Ltd, 2015. 5th or later edition. Softcover. New. 17 x 24 cm. CONTENTS: I. INTRODUCTION : 1. Definition 2. Sub-divisions of Theory of Machines 3. Fundamental Units 4. Derived Units 5. Systems of Units 6. C.G.S. Units 7. F.P.S. Units 8. M.K.S. Units 9. International System of Units (S.I. Units) 10. Metre 11. Kilogram 12. Second 13. Presentation of Units and their Values 14. Rules for S.I. Units 15. Force 16. Resultant Force 17. Scalars and Vectors 18. Representation of Vector Quantities 19. Addition of Vectors 20. Subtraction of Vectors II. KINEMATICS OF MOTION : 1. Introduction 2. Plane Motion 3. Rectilinear Motion 4. Curvilinear Motion 5. Linear Displacement 6. Linear Velocity 7. Linear Acceleration 8. Equations of Linear Motion 9. Graphical Representation of Displacement with respect to Time 10. Graphical Representation of Velocity with respect to Time. 11. Graphical Representation of Acceleration with respect to Time 12. Angular Displacement 13. Representation of Angular Displacement by a Vector 14. Angular Velocity 15. Angular Acceleration 16. Equations of Angular Motion 17. Relation between Linear Motion and Angular Motion 18. Relation between Linear and Angular` Quantities of Motion 19. Acceleration of a Particle along a Circular Path III. KINETICS OF MOTION : 1. Introduction 2. Newton`s Laws of Motion 3. Mass and Weight 4. Momentum 5. Force 6. Absolute and Gravitational Units of Force 7. Moment of a Force 8. Couple 9. Centripetal and Centrifugal Force 10. Mass Moment of Inertia 11. Angular Momentum or Moment of Momentum 12. Torque 13. Work 14. Power 15. Energy 16. Principle of Conservation of Energy 17. Impulse and Impulsive Force 18. Principle of Conservation of Momentum 19. Energy Lost by Friction Clutch During Engagement 20. Torque Required to Accelerate a Geared System 21. Collision of Two Bodies 22. Collision of Inelastic Bodies 23. Collision of Elastic Bodies 24. Loss of Kinetic Energy During Elastic Impact IV. SIMPLE HARMONIC MOTION : 1. Introduction 2. Velocity and Acceleration of a Particle Moving with Simple Harmonic Motion 3. Differential Equation of Simple Harmonic Motion 4. Terms Used in Simple Harmonic Motion 5. Simple Pendulum 6. Laws of Simple Pendulum 7. Closely-coiled Helical Spring 8. Compound Pendulum 9. Centre of Percussion 10. Bifilar Suspension 11. Trifilar Suspension (Torsional Pendulum) V. SIMPLE MECHANISMS : 1. Introduction 2. Kinematic Link or Element 3. Types of Links 4. Structure 5. Difference Between a Machine and a Structure 6. Kinematic Pair 7. Types of Constrained Motions 8. Classification of Kinematic Pairs 9. Kinematic Chain 10. Types of Joints in a Chain 11. Mechanism 12. Number of Degrees of Freedom for Plane Mechanisms 13. Application of Kutzbach Criterion to Plane Mechanisms 14. Grubler`s Criterion for Plane Mechanisms 15. Inversion of Mechanism 16. Types of Kinematic Chains 17. Four Bar Chain or Quadric Cycle Chain 18. Inversions of Four Bar Chain 19. Single Slider Crank Chain 20. Inversions of Single Slider Crank Chain 21. Double Slider Crank Chain 22. In versions of Double Slider Crank Chain VI. VELOCITY IN MECHANISMS (INSTANTANEOUS CENTRE METHOD) : 1. Introduction 2. Space and Body Centrodes 3. Methods for Determining the Velocity of a Point on a Link 4. Velocity of a Point on a Link by Instantaneous Centre Method 5. Properties of the Instantaneous Centre 6. Number of Instantaneous Centres in a Mechanism 7. Types of Instantaneous Centres 8. Location of Instantaneous Centres 9. Aronhold Kennedy (or Three Centres-in-Line) Theorem 10. Method of Locating Instantaneous Centres in a Mechanism VII. VELOCITY IN MECHANISMS (RELATIVE VELOCITY METHOD) : 1. Introduction 2. Relative Velocity of Two Bodies Moving in Straight Lines 3. Motion of a Link 4. Velocity of a Point on a Link by Relative Velocity Method 5. Velocities in a Slider Crank Mechanism 6. Rubbing Velocity at a Pin Joint 7. Forces Acting in a Mechanism 8. Mec Printed Pages: 1071., S. Chand & Company Ltd, 2015, New York, NY: Holt, Rinehart and Winston, 1968. Text/BRAND NEW. Blue linen boards/Fine. DJ/Good; strong w/edge wear, & losses to upper/lower front edges. Text in 2 parts. Part I concentrates on topological concepts, while Part II deals mainly with measure theory. 9 chapters: 1, Elements of Set Theory; 2, Spaces of Functions; 3, Elements of Point Set Topology; 4, Continuous Functions; 5, Measures of Abstract Spaces; 6, Lebesque-Stieltjes Measures; 7, Integration; 8, Differentiation; and 9, Riesz Representation. . First Edition, First Printing. Hard Cover. New/Good., Holt, Rinehart and Winston, 1968, Munshiram Manoharlal, 1997. First. New. Munshiram Manoharlal, 1997 First New Between Vatsyayana and Vacaspati, the Nyayabhasyavarttika reigns supreme as the only work by Uddyotakara It explains, true to the definition of a varttika, nearly every world of the Nyayabhasya, adds fresh elements and sometimes criticizes the earlier position In this work, it is claimed, the original views of Aksapada, the father of Nyaya, have been rescued from the onslaught of `bad logicians' Vacaspati subsequently identifies these `bad logicians' with Nagarjuna, Vasubandhu and Dignaga Concerning doubt, liberation, fallacies, refutation of the Buddhist theories of momentariness, difference theory of meaning of general words, relation of part and whole etc, clear philosophical advancement is evinced in the Varttika As the second volume of the vast Nyaya-Caturgranthika project, this edition is unique in providing a critical text based on hitherto undiscovered source material, as well as giving all the variants in the footnotes These sources have for the first time enabled the editor to reconstruct an unmutilated version of the Varttika on Ii9 which was hopelessly fragmented before 'The illuminator' - That is what his name meant And the light he threw on the cryptic work of Aksapada and Vatsyayana - the only two predecessors he mentions by name - is so bright that it still dazzles us across, atleast twelve centuries Yet, his personal history, even his birth place remains shrouded in doubt and darkness A discendent of the Bharadvaja clan Uddyotakara is said to have een a Pasupata acarya He succeeded Dignaga and was known to Subandhu whom Banabhatta praised Judging from the indirect allusion to rival logicians, his name seems to have been one of great vitality and variety of views in Indian logic Hence Udayana's characterisation of Uddyotakara's time as the youth of the vedic school of logic Besides providing Dharmakirti and his successor with a vigorous target, it was Uddyotakara who preserved, through his accurate representation, albeit for the sake of refutation, the views of great Buddhist thinkers like Nagarjuna, Vasubandhu and Dignaga While foreign invaders demolished monasteries and manuscripts, it was Uddyotakara who was immortalizing the Buddhist philosophical position, Munshiram Manoharlal, 1997, Dover Publications. Paperback. New. Paperback. 480 pages. Dimensions: 8.5in. x 5.4in. x 0.9in.Coherent and self-contained, this volume explains the general method of statistical, or equivalent, linearization and its use in solving random vibration problems. Numerous examples, drawn from a wide variety of engineering problems, offer advanced undergraduate and graduate students a comprehensive view of the methods practical applications. Subjects include general equations of motion and the representation of non-linearities, probability theory and stochastic processes, elements of linear random vibration theory, statistical linearization for simple systems with stationary response, statistical linearization of multi-degree of freedom systems with stationary response, and non-stationary problems. Additional topics include systems with hysteretic non-linearity, relaxation of the Gaussian response assumption, and accuracy of statistical linearization. This updated edition features exclusive material newly prepared by Dr. Spanos, including an appendix, preface, and corrections to the original. 1990 edition. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN., Dover Publications, Wiley India Pvt. Ltd, 2016. First edition. Softcover. New. Part 1 Fundamentals Chapter 1: Mechanical Engineering design in Broad Perspective 1.1 An Overview of the Subject 1.2 Safety Considerations 1.3 Ecological Considerations 1.4 Societal Considerations, 1.5 Overall Design Considerations 1.6 Systems of Units 1.7 Methodology for Solving Machine Component Problems 1.8 Work and Energy 1.9 Power 1.10 Conservation of Energy Chapter 2: Load Analysis 2.1 Introduction 2.2 Equilibrium Equations and Free-Body Diagrams 2.3 Beam Loading 2.4 Locating Critical Sections-Force Flow Concept 2.5 Load Division Between Redundant Supports 2.6 Force Flow Concept Applied to Redundant Ductile Structures Chapter 3: Materials 3.1 Introduction 3.2 The Static Tensile Test-"Engineering" Stress-Strain Relationships 3.3 Implications of the "Engineering" Stress-Strain Curve 3.4 The Static Tensile Test-"True" Stress-Strain Relationships 3.5 Energy-Absorbing Capacity 3.6 Estimating Strength Properties from Penetration Hardness Tests 3.7 Use of "Handbook" Data for Material Strength Properties 3.8 Machinability 3.9 Cast Iron 3.10 Steel 3.11 Nonferrous Alloys 3.12 Plastics, and Composites 3.13 Material Selection Charts 3.14 Engineering Material Selection Process Chapter 4: Static Body Stresses 4.1 Introduction 4.2 Axial Loading 4.3 Direct Shear Loading 4.4 Torsional Loading 4.5 Pure Bending Loading, Straight Beams 4.6 Pure Bending Loading, Curved Beams 4.7 Transverse Shear Loading in Beams 4.8 Induced Stresses, Mohr Circle Representation 4.9 Combined Stresses-Mohr Circle Representation 4.10 Stress Equations Related to Mohr`s Circle 4.11 Three-Dimensional Stresses 4.12 Stress Concentration Factor, Kt 4.13 Importance of Stress Concentration 4.14 Residual Stresses Caused by Yielding-Axial Loading 4.15 Residual Stresses Caused by Yielding-Bending and Torsional Loading 4.16 Thermal Stresses 4.17 Importance of Residual Stresses Chapter 5: Elastic Strain, Deflection and Stability 5.1 Introduction 5.2 Strain Definition, Measurement and Mohr Circle Representation 5.3 Analysis of Strain-Equiangular Rosettes 5.4 Analysis of Strain-Rectangular Rosettes 5.5 Elastic Stress-Strain Relationships and Three-Dimensional Mohr Circles 5.6 Deflection and Spring Rate-Simple Cases 5.7 Beam Deflection 5.8 Determining Elastic Deflections by Castigliano`s Method 5.9 Redundant Reactions by Castigliano`s Method 5.10 Euler Column Buckling-Elastic Instability 5.11 Effective Column Length for Various End Conditions 5.12 Column Design Equations-J. B. Johnson Parabola 5.13 Eccentric Column Loading-the Secant Formula 5.14 Equivalent Column Stresses 5.15 Other Types of Buckling 5.16 Finite Element Analysis Chapter 6: Failure Theories, Safety Factors and Reliability 6.1 Introduction 6.2 Types of Failure 6.3 Fracture Mechanics-Basic Concepts 6.4 Fracture Mechanics-Applications 6.5 The "Theory" of Static Failure Theories 6.6 Maximum-Normal-Stress Theory 6.7 Maximum-Shear-Stress Theory 6.8 Maximum-Distortion-Energy Theory (Maximum- Octahedral-Shear-Stress Theory 6.9 Modified Mohr Theory 6.10 Selection and Use of Failure Theories 6.11 Safety Factors-Concept and Definition 6.12 Safety Factors-Selection of a Numerical Value 6.13 Reliability 6.14 Normal Distributions 6.15 Interference Theory of Reliability Prediction Chapter 7: Impact 7.1 Introduction 7.2 Stress and Deflection Caused by Linear and Bending Impact 7.3 Stress and Deflection Caused by Torsional Impact 7.4 Effect of Stress Raisers on Impact Strength C Printed Pages: 912., Wiley India Pvt. Ltd, 2016, Wiley India Pvt. Ltd, 2016. First edition. Softcover. New. Part 1 Fundamentals Chapter 1: Mechanical Engineering design in Broad Perspective 1.1 An Overview of the Subject 1.2 Safety Considerations 1.3 Ecological Considerations 1.4 Societal Considerations, 1.5 Overall Design Considerations 1.6 Systems of Units 1.7 Methodology for Solving Machine Component Problems 1.8 Work and Energy 1.9 Power 1.10 Conservation of Energy Chapter 2: Load Analysis 2.1 Introduction 2.2 Equilibrium Equations and Free-Body Diagrams 2.3 Beam Loading 2.4 Locating Critical Sections-Force Flow Concept 2.5 Load Division Between Redundant Supports 2.6 Force Flow Concept Applied to Redundant Ductile Structures Chapter 3: Materials 3.1 Introduction 3.2 The Static Tensile Test-"Engineering" Stress-Strain Relationships 3.3 Implications of the "Engineering" Stress-Strain Curve 3.4 The Static Tensile Test-"True" Stress-Strain Relationships 3.5 Energy-Absorbing Capacity 3.6 Estimating Strength Properties from Penetration Hardness Tests 3.7 Use of "Handbook" Data for Material Strength Properties 3.8 Machinability 3.9 Cast Iron 3.10 Steel 3.11 Nonferrous Alloys 3.12 Plastics, and Composites 3.13 Material Selection Charts 3.14 Engineering Material Selection Process Chapter 4: Static Body Stresses 4.1 Introduction 4.2 Axial Loading 4.3 Direct Shear Loading 4.4 Torsional Loading 4.5 Pure Bending Loading, Straight Beams 4.6 Pure Bending Loading, Curved Beams 4.7 Transverse Shear Loading in Beams 4.8 Induced Stresses, Mohr Circle Representation 4.9 Combined Stresses-Mohr Circle Representation 4.10 Stress Equations Related to Mohr`s Circle 4.11 Three-Dimensional Stresses 4.12 Stress Concentration Factor, Kt 4.13 Importance of Stress Concentration 4.14 Residual Stresses Caused by Yielding-Axial Loading 4.15 Residual Stresses Caused by Yielding-Bending and Torsional Loading 4.16 Thermal Stresses 4.17 Importance of Residual Stresses Chapter 5: Elastic Strain, Deflection and Stability 5.1 Introduction 5.2 Strain Definition, Measurement and Mohr Circle Representation 5.3 Analysis of Strain-Equiangular Rosettes 5.4 Analysis of Strain-Rectangular Rosettes 5.5 Elastic Stress-Strain Relationships and Three-Dimensional Mohr Circles 5.6 Deflection and Spring Rate-Simple Cases 5.7 Beam Deflection 5.8 Determining Elastic Deflections by Castigliano`s Method 5.9 Redundant Reactions by Castigliano`s Method 5.10 Euler Column Buckling-Elastic Instability 5.11 Effective Column Length for Various End Conditions 5.12 Column Design Equations-J. B. Johnson Parabola 5.13 Eccentric Column Loading-the Secant Formula 5.14 Equivalent Column Stresses 5.15 Other Types of Buckling 5.16 Finite Element Analysis Chapter 6: Failure Theories, Safety Factors and Reliability 6.1 Introduction 6.2 Types of Failure 6.3 Fracture Mechanics-Basic Concepts 6.4 Fracture Mechanics-Applications 6.5 The "Theory" of Static Failure Theories 6.6 Maximum-Normal-Stress Theory 6.7 Maximum-Shear-Stress Theory 6.8 Maximum-Distortion-Energy Theory (Maximum- Octahedral-Shear-Stress Theory 6.9 Modified Mohr Theory 6.10 Selection and Use of Failure Theories 6.11 Safety Factors-Concept and Definition 6.12 Safety Factors-Selection of a Numerical Value 6.13 Reliability 6.14 Normal Distributions 6.15 Interference Theory of Reliability Prediction Chapter 7: Impact 7.1 Introduction 7.2 Stress and Deflection Caused by Linear and Bending Impact 7.3 Stress and Deflection Caused by Torsional Impact 7.4 Effect of Stress Raisers on Impact Strength C Printed Pages: 912., Wiley India Pvt. Ltd, 2016, Paperback. New. In Techniques of the Observer Jonathan Crary provides a dramatically new perspective on the visual culture of the nineteenth century, reassessing problems of both visual modernism and social modernity. Inverting conventional approaches, Crary considers the problem of visuality not through the study of art works and images, but by analyzing the historical construction of the observer. He insists that the problems of vision are inseparable from the operation of social power and examines how, beginning in the 1820s, the observer became the site of new discourses and practices that situated vision within the body as a physiological event. Alongside the sudden appearance of physiological optics, Crary points out, theories and models of subjective vision were developed that gave the observer a new autonomy and productivity while simultaneously allowing new forms of control and standardization of vision. Crary examines a range of diverse work in philosophy, in the empirical sciences, and in the elements of an emerging mass visual culture. He discusses at length the significance of optical apparatuses such as the stereoscope and of precinematic devices, detailing how they were the product of new physiological knowledge. He also shows how these forms of mass culture, usually labeled as realist, were in fact based on abstract models of vision, and he suggests that mimetic or perspectival notions of vision and representation were initially abandoned in the first half of the nineteenth century within a variety of powerful institutions and discourses, well before the modernist painting of the 1870s and 1880s., GRIN Verlag GmbH. Paperback. New. Paperback. 28 pages. Dimensions: 8.5in. x 5.5in. x 0.1in.Seminar paper from the year 2008 in the subject History - America, grade: 1, 0, University of Cape Town (Department of Historical Studies ), course: Hollywood and the Vietnam War, language: English, abstract: In terms of methodology it will be worthwhile first to take a closer look at the theory of collective memory in order to understand its relevance for a nations self-understanding and the way that societys individual members rely on it. In a next step, the concepts of Turners frontier myth thesis as well as Kennedys New Frontier will be outlined in order to point out the contents of the nations mythology and to determine elements to look out for in films. As we will see, the figure of the individual frontier hero will be of paramount importance. Finally, the main part will focus on the way in which the U. S. frontier myth and particularly the frontier hero actually figure within some Hollywood representations of the war. What is the appearance of the frontier heroes and what experiences do they make on the New Frontier in Vietnam How can these experiences be characterized and set against the traditional qualities of the frontier myth Within the framework of this paper, the choice of films must necessarily be exemplary. The three films that will be discussed here are among the most widely distributed films dealing with the Vietnam War. Moreover, as I hope to demonstrate in this paper, they are exemplary for three different ways of responding to the threat that this war posed to the frontier myth: its assertion, its transformation and its dismissal. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN., GRIN Verlag GmbH

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The frontier hero in Vietnam - Reconstruction of a myth - Henrik Brendel
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Henrik Brendel:

The frontier hero in Vietnam - Reconstruction of a myth - Taschenbuch

2012, ISBN: 3656128782

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[EAN: 9783656128786], Neubuch, [PU: GRIN Verlag Feb 2012], This item is printed on demand - Print on Demand Neuware - Seminar paper from the year 2008 in the subject History - America, grade: 1,0, University of Cape Town (Department of Historical Studies ), course: Hollywood & the Vietnam War, language: English, abstract: In terms of methodology it will be worthwhile first to take a closer look at the theory of collective memory in order to understand its relevance for a nation s self-understanding and the way that society s individual members rely on it. In a next step, the concepts of Turner s frontier myth thesis as well as Kennedy s New Frontier will be outlined in order to point out the contents of the nation s mythology and to determine elements to look out for in films. As we will see, the figure of the individual frontier hero will be of paramount importance. Finally, the main part will focus on the way in which the U.S. frontier myth and particularly the frontier hero actually figure within some Hollywood representations of the war. What is the appearance of the frontier heroes and what experiences do they make on the New Frontier in Vietnam How can these experiences be characterized and set against the traditional qualities of the frontier myth Within the framework of this paper, the choice of films must necessarily be exemplary. The three films that will be discussed here are among the most widely distributed films dealing with the Vietnam War. Moreover, as I hope to demonstrate in this paper, they are exemplary for three different ways of responding to the threat that this war posed to the frontier myth: its assertion, its transformation and its dismissal. 24 pp. Englisch

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ISBN: 9783656128786

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The frontier hero in Vietnam - Reconstruction of a myth Seminar paper from the year 2008 in the subject History - America, grade: 1,0, University of Cape Town (Department of Historical Studies ), course: Hollywood & the Vietnam War, language: English, abstract: In terms of methodology it will be worthwhile first to take a closer look at the theory of collective memory in order to understand its relevance for a nation's self-understanding and the way that society's individual members rely on it. In a next step, the concepts of Turner's frontier myth thesis as well as Kennedy's New Frontier will be outlined in order to point out the contents of the nation's mythology and to determine elements to look out for in films. As we will see, the figure of the individual frontier hero will be of paramount importance. Finally, the main part will focus on the way in which the U.S. frontier myth and particularly the frontier hero actually figure within some Hollywood representations of the war. What is the appearance of the frontier heroes and what experiences do they make on the New Frontier in Vietnam? How can these experiences be characterized and set against the traditional qualities of the frontier myth? Within the framework of this paper, the choice of films must necessarily be exemplary. The three films that will be discussed here are among the most widely distributed films dealing with the Vietnam War. Moreover, as I hope to demonstrate in this paper, they are exemplary for three different ways of responding to the threat that this war posed to the frontier myth: its assertion, its transformation and its dismissal. Bücher / Fremdsprachige Bücher / Englische Bücher 978-3-656-12878-6, GRIN

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The frontier hero in Vietnam - Reconstruction of a myth - Henrik Brendel
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Henrik Brendel:
The frontier hero in Vietnam - Reconstruction of a myth - neues Buch

2008, ISBN: 9783656128786

ID: 116996891

Seminar paper from the year 2008 in the subject History - America, grade: 1,0, University of Cape Town (Department of Historical Studies ), course: Hollywood & the Vietnam War, language: English, abstract: In terms of methodology it will be worthwhile first to take a closer look at the theory of collective memory in order to understand its relevance for a nation´s self-understanding and the way that society´s individual members rely on it. In a next step, the concepts of Turner´s frontier myth thesis as well as Kennedy´s New Frontier will be outlined in order to point out the contents of the nation´s mythology and to determine elements to look out for in films. As we will see, the figure of the individual frontier hero will be of paramount importance. Finally, the main part will focus on the way in which the U.S. frontier myth and particularly the frontier hero actually figure within some Hollywood representations of the war. What is the appearance of the frontier heroes and what experiences do they make on the New Frontier in Vietnam? How can these experiences be characterized and set against the traditional qualities of the frontier myth? Within the framework of this paper, the choice of films must necessarily be exemplary. The three films that will be discussed here are among the most widely distributed films dealing with the Vietnam War. Moreover, as I hope to demonstrate in this paper, they are exemplary for three different ways of responding to the threat that this war posed to the frontier myth: its assertion, its transformation and its dismissal. The frontier hero in Vietnam - Reconstruction of a myth Buch (dtsch.) Bücher>Fremdsprachige Bücher>Englische Bücher, GRIN

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The Frontier Hero in Vietnam - Reconstruction of a Myth The-frontier-hero-in-Vietnam-Reconstruction-of-a-myth~~Henrik-Brendel History>World Hist>World History Paperback, GRIN Verlag GmbH

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