Ai Weiwei / Phaidon Contemporary Artists Series / Bernard/Obrist, Hans Ulrich/Ai, Weiwei Fibicher / Taschenbuch / 160 S. / Englisch / 2009 / Phaidon / EAN 9780714848891 - Taschenbuch
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[ED: Taschenbuch], [PU: Phaidon], Ai Weiwei (b. 1957) is truly an artist for the twenty-first century. In his sculptures he refashions artefacts and antiques into surprising, sometimes mo… Mehr…
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Ai Weiwei / Phaidon Contemporary Artists Series / Bernard/Obrist, Hans Ulrich/Ai, Weiwei Fibicher / Taschenbuch / 160 S. / Englisch / 2009 / Phaidon / EAN 9780714848891 - Taschenbuch
2009, ISBN: 9780714848891
[ED: Taschenbuch], [PU: Phaidon], Ai Weiwei (b. 1957) is truly an artist for the twenty-first century. In his sculptures he refashions artefacts and antiques into surprising, sometimes mo… Mehr…
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2009, ISBN: 9780714848891
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Ai Weiwei / Phaidon Contemporary Artists Series / Bernard/Obrist, Hans Ulrich/Ai, Weiwei Fibicher / Taschenbuch / 160 S. / Englisch / 2009 / Phaidon / EAN 9780714848891 - Taschenbuch
2009, ISBN: 9780714848891
[ED: Taschenbuch], [PU: Phaidon], Ai Weiwei (b. 1957) is truly an artist for the twenty-first century. In his sculptures he refashions artefacts and antiques into surprising, sometimes mo… Mehr…
Fibicher, Bernard/Obrist, Hans Ulrich/Ai, Weiwei:
Ai Weiwei / Phaidon Contemporary Artists Series / Bernard/Obrist, Hans Ulrich/Ai, Weiwei Fibicher / Taschenbuch / 160 S. / Englisch / 2009 / Phaidon / EAN 9780714848891 - Taschenbuch2009, ISBN: 9780714848891
[ED: Taschenbuch], [PU: Phaidon], Ai Weiwei (b. 1957) is truly an artist for the twenty-first century. In his sculptures he refashions artefacts and antiques into surprising, sometimes mo… Mehr…
2009
ISBN: 9780714848891
Phaidon Press, 2009-05-16. Paperback. Good. 0.5000 11.4000 10.0000., Phaidon Press, 2009-05-16, 2.5
2009, ISBN: 9780714848891
Buch, Softcover, [PU: Phaidon Press Ltd], Phaidon Press Ltd, 2009
ISBN: 9780714848891
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Detailangaben zum Buch - Ai Weiwei
EAN (ISBN-13): 9780714848891
ISBN (ISBN-10): 0714848891
Gebundene Ausgabe
Taschenbuch
Erscheinungsjahr: 2009
Herausgeber: Phaidon Press Ltd
158 Seiten
Gewicht: 1,002 kg
Sprache: eng/Englisch
Buch in der Datenbank seit 2007-03-30T11:41:48+02:00 (Berlin)
Detailseite zuletzt geändert am 2024-04-12T14:59:00+02:00 (Berlin)
ISBN/EAN: 9780714848891
ISBN - alternative Schreibweisen:
0-7148-4889-1, 978-0-7148-4889-1
Alternative Schreibweisen und verwandte Suchbegriffe:
Autor des Buches: fibich, weiwei, qing, fibicher art, bernard smith, hans much, may hans, bernhard hans, marcel duchamp, sure hans, karen smith, focus, andy warhol, hans smit, joseph beuys, marcel just, hans will, mark siemons, hans ulrich obrist enzo mari, adde erich schnell, garrett, craig smith, michèle karen, architecture design beijing, herzog meuron, documenta, kunsthalle bern
Titel des Buches: phaidon, according what weiwei, weiwei becoming, weiwei sorry, hans hans, wei wei, the conversation series, männer was jede frau wissen sollte, karen, bernhard, contemporary artists
Daten vom Verlag:
Autor/in: Bernard Fibicher; Hans Ulrich Obrist
Titel: Phaidon Contemporary Artists Series; Ai Weiwei
Verlag: Phaidon
Erscheinungsjahr: 2009-04-28
Berlin; DE
Gedruckt / Hergestellt in Deutschland.
Sprache: Englisch
39,95 € (DE)
39,95 € (AT)
Available
250mm x 290mm x 18mm
BC; Hardcover, Softcover / Kunst/Bildende Kunst; Einzelne Architekten und Architekturbüros; Entdecken; Art; Contemporary Artists
Bernard Fibicher is Director of the Musée Cantonal des Beaux Art in Lausanne.
collapsed in a rainstorm two weeks after its unveiling at Documenta 12, the artist embraced its demise as a clever artistic twist.)
In China today, making art that's critical of current cultural and economic policies is not a particularly safe career move. But Ai's father, the poet Ai Qing, walked a similar path, absorbing European avant-garde styles while studying in 1930s Paris and later standing by them in the face of Communist opposition, a move that eventually led to his exile to the distant provincial town where his son Weiwei came to be born and raised. In the late 1970s Ai Weiwei moved to Beijing, banding together with other pro-democracy artists in a loose collective known as the Stars Group. In 1981, following government retaliation against one of their exhibitions, Ai moved to New York, where he attended art school and lived the life of the bohemian for twelve years, his East Village apartment serving as a base for countless visiting Chinese artists. When his father became ill in 1993 Ai returned to China, settling in Beijing and finally taking up his art career in earnest.
Weiwei's artistic forebears belong primarily to the Western modernist avant-garde (Duchamp and Beuys are particularly relevant). But Ai has equally and increasingly been influenced by modernist architecture and contemporary urban planning, citing the need for an ideal for living in a country where runaway economic development has shown little regard for the everyday life of the individual. In stark contrast to the glass-and-steel high-rises going up around Beijing, the art galleries, ateliers and homes Ai designs are boxy and modest, made from brick and other vernacular materials. Their resolution of Eastern and Western styles is a fitting parallel to his antique readymade sculptures.
What truly marks out Ai as a twenty-first century artist is the multiplicity of his roles: not just artist, designer and architect but also curator, publisher, web blogger and compass for an entire generation of Beijing artists. He has been described more than once as the Chinese Warhol, overseeing a factory-like studio (Fake) with dozens of assistants engaged in countless projects in a range of disciplines. And indeed his outsize public persona is an inseparable part of his art. It should come as no surprise that when Herzog & de Meuron came to Beijing to conceive of a new stadium for the 2008 Olympics, Ai was the one who provided them with a design concept: an interlaced form based on the woven baskets his wife collects at local antique markets.
Ai Weiwei is represented by Galerie Urs Meile, Lucerne and Beijing.
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