* What is the relationship of popular cinema to the concept of 'modernity'? * What now are the key areas of debate which focus the study of cinema and its audiences? * How can we understand the relationship of cinema to both the pleasures of consumerism and the inequalities addressed by critical politics? Cinema and Cultural Modernity carves a lucid path through the central debates of film and cinema studies and explores these in their social and political contexts. The book includes histories of the ways in which we view Hollywood's global dominance, up to the development of late modernity and the declaration of 'postmodernity'. In an accessible fashion, it discusses changing theorizations of the economics, audiences, and fascinations of cinema, addressing concepts such as agency, negotiation and identification, and global 'popularity' within contemporary cultures of celebrity, consumption and the visual. Gill Branston outlines the need for cinema study that is both sensitive to the formal 'textiness' of films, but also less anxious about arguing for its position within broad agendas of representation. At the same time, the author links such areas to both the pleasures of consumption, which cinema so often evokes and embodies, and to the need for a new, critical politics to address the persistent inequalities of modernity, inequalities which still fuel lively interest in questions of representation. The result is an incisive text for undergraduate courses and an essential reference for researchers. Books, [PU: Open University]
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* What is the relationship of popular cinema to the concept of 'modernity'?* What now are the key areas of debate which focus the study of cinema and its audiences?* How can we understand the relationship of cinema to both the pleasures of consumerism and the inequalities addressed by critical politics?Cinema and Cultural Modernity carves a lucid path through the central debates of film and cinema studies and explores these in their social and political contexts. The book includes histories of the ways in which we view Hollywood's global dominance, up to the development of late modernity and the declaration of 'postmodernity'. In an accessible fashion, it discusses changing theorizations of the economics, audiences, and fascinations of cinema, addressing concepts such as agency, negotiation and identification, and global 'popularity' within contemporary cultures of celebrity, consumption and the visual. Gill Branston outlines the need for cinema study that is both sensitive to the formal 'textiness' of films, but also less anxious about arguing for its position within broad agendas of representation. At the same time, the author links such areas to both the pleasures of consumption, which cinema so often evokes and embodies, and to the need for a new, critical politics to address the persistent inequalities of modernity, inequalities which still fuel lively interest in questions of representation. The result is an incisive text for undergraduate courses and an essential reference for researchers. Books, [PU: Open University]
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Open University Press, 2000. Paperback. Used; Good. Sent from the UK within 24 hours. EXPEDITED UK DELIVERY AVAILABLE. Bookbarn International Inventory #2490510, Open University Press, 2000
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[EAN: 9780335200764], Gebraucht, [PU: Open University Press], Performing Arts|Film|General, Shows definite wear, and perhaps considerable marking on inside.
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* What is the relationship of popular cinema to the concept of 'modernity'? * What now are the key areas of debate which focus the study of cinema and its audiences? * How can we understa… Mehr…
* What is the relationship of popular cinema to the concept of 'modernity'? * What now are the key areas of debate which focus the study of cinema and its audiences? * How can we understand the relationship of cinema to both the pleasures of consumerism and the inequalities addressed by critical politics? Cinema and Cultural Modernity carves a lucid path through the central debates of film and cinema studies and explores these in their social and political contexts. The book includes histories of the ways in which we view Hollywood's global dominance, up to the development of late modernity and the declaration of 'postmodernity'. In an accessible fashion, it discusses changing theorizations of the economics, audiences, and fascinations of cinema, addressing concepts such as agency, negotiation and identification, and global 'popularity' within contemporary cultures of celebrity, consumption and the visual. Gill Branston outlines the need for cinema study that is both sensitive to the formal 'textiness' of films, but also less anxious about arguing for its position within broad agendas of representation. At the same time, the author links such areas to both the pleasures of consumption, which cinema so often evokes and embodies, and to the need for a new, critical politics to address the persistent inequalities of modernity, inequalities which still fuel lively interest in questions of representation. The result is an incisive text for undergraduate courses and an essential reference for researchers. Books, [PU: Open University]<
* What is the relationship of popular cinema to the concept of 'modernity'?* What now are the key areas of debate which focus the study of cinema and its audiences?* How can we understand… Mehr…
* What is the relationship of popular cinema to the concept of 'modernity'?* What now are the key areas of debate which focus the study of cinema and its audiences?* How can we understand the relationship of cinema to both the pleasures of consumerism and the inequalities addressed by critical politics?Cinema and Cultural Modernity carves a lucid path through the central debates of film and cinema studies and explores these in their social and political contexts. The book includes histories of the ways in which we view Hollywood's global dominance, up to the development of late modernity and the declaration of 'postmodernity'. In an accessible fashion, it discusses changing theorizations of the economics, audiences, and fascinations of cinema, addressing concepts such as agency, negotiation and identification, and global 'popularity' within contemporary cultures of celebrity, consumption and the visual. Gill Branston outlines the need for cinema study that is both sensitive to the formal 'textiness' of films, but also less anxious about arguing for its position within broad agendas of representation. At the same time, the author links such areas to both the pleasures of consumption, which cinema so often evokes and embodies, and to the need for a new, critical politics to address the persistent inequalities of modernity, inequalities which still fuel lively interest in questions of representation. The result is an incisive text for undergraduate courses and an essential reference for researchers. Books, [PU: Open University]<
- Nr. Versandkosten:, , spese di spedizione aggiuntive, zzgl. Versandkosten
Open University Press, 2000. Paperback. Used; Good. Sent from the UK within 24 hours. EXPEDITED UK DELIVERY AVAILABLE. Bookbarn International Inventory #2490510, Open University Press, … Mehr…
Open University Press, 2000. Paperback. Used; Good. Sent from the UK within 24 hours. EXPEDITED UK DELIVERY AVAILABLE. Bookbarn International Inventory #2490510, Open University Press, 2000<
[EAN: 9780335200764], Gebraucht, [PU: Open University Press], Performing Arts|Film|General, Shows definite wear, and perhaps considerable marking on inside.
- NOT NEW BOOK Versandkosten: EUR 38.89 Better World Books, Mishawaka, IN, U.S.A. [51315977] [Rating: 5 (von 5)]
1Da einige Plattformen keine Versandkonditionen übermitteln und diese vom Lieferland, dem Einkaufspreis, dem Gewicht und der Größe des Artikels, einer möglichen Mitgliedschaft der Plattform, einer direkten Lieferung durch die Plattform oder über einen Drittanbieter (Marketplace), etc. abhängig sein können, ist es möglich, dass die von eurobuch angegebenen Versandkosten nicht mit denen der anbietenden Plattform übereinstimmen.
Carves a path through the complex histories and issues of film and cinema studies, focusing on selected key topics, including Hollywood's histories. This work shows how such debates and histories might connect both the very real pleasures of a 'consuming' cinema, with the need for a critical politics to address the inequalities of modernity.
Detailangaben zum Buch - Cinema and Cultural Modernity
EAN (ISBN-13): 9780335200764 ISBN (ISBN-10): 0335200761 Gebundene Ausgabe Taschenbuch Erscheinungsjahr: 2000 Herausgeber: OPEN UNIV PR 222 Seiten Gewicht: 0,304 kg Sprache: eng/Englisch
Buch in der Datenbank seit 2007-06-12T04:11:01+02:00 (Berlin) Detailseite zuletzt geändert am 2019-12-13T15:47:13+01:00 (Berlin) ISBN/EAN: 0335200761
ISBN - alternative Schreibweisen: 0-335-20076-1, 978-0-335-20076-4
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