2012, ISBN: 9780816491995

Gebundene Ausgabe

Two volumes; soft cover, 24 cm, 352+360 pp. Publishes original scholarly articles on every aspect of ancient Greek and Roman theatre and drama, including its reception in modern theatre, … Mehr…

Two volumes; soft cover, 24 cm, 352+360 pp. Publishes original scholarly articles on every aspect of ancient Greek and Roman theatre and drama, including its reception in modern theatre, literature, cinema and the other art forms and media, as well as its relation to the theatre of other periods and geographical regions. Papers in greek or english. // Separate volumes also available.CONTENTS:VOL. 1, 2011.. , , , : G.M. CHIESI, Reading Aeschylean Images: Matricide and the Blood in Maternal Milk in Clytemnestras DreamE.D. KARAKANTZA, To Befriend or not to Befriend? A Note on Lines 678-683 of the Deception Speech in Ajax.. , . , . .. , K. DIAMANTAKOU-AGATHOU, Old Comedy on Ancient Actors: Speculations on an Odd and Unexpected DiscriminatioI.M. KONSTANTAKOS, Conditions of Playwriting and the Comic Dramatists Craft in the Fourth CenturyS. TSITSIRIDIS, Greek Mime in the Roman Empire (P.Oxy. 413: Charition and Moicheutria)W. PUCHNER, : (1750-1850)N.S. RABINOWITZ, Orestes and Oedipus, White and Black: Greek Tragedy and the U.S. Civil War. , : .. , : D. WILES, Education for Citizenship: The Uses of AntigoneVOL. 2, 2012G.M. SIFAKIS, J.R. GREEN, Eric Walter Handley (19262013)G. CASTRUCCI, Dodona versus Delphi in Greek Tragedy: The Wanderings of the Hero between Expiation and Ties of . MARINIS, Seeing Sounds: Synaesthesia in the Parodos of Seven against Thebes. PETRIDES, Proxemics and Structural Symmetry in Euripides Medea.J. MARTIN VELASCO, Th.K. STEPHANOPOULOS, Euripides oder Pseudo-Euripides? (Eur. *Fr. 545a Kn. = 909 N2)I. KONSTANTAKOS, y Kids for Sale: The Megarians Scene in Aristophanes Acharnians (729-835) and Megarian ComedyS. PAPAIOANNOU, Cylindrus and the Rational Circularity of Error in the MenaechmiE.J. JORY, he Mask of Astyanax and the Pantomime LibrettistD. HAAS, .. : A " " E. K, "[ ]": . , . , F. DECREUS, he Reptilian Brain and the Representation of the Female in Theodoros Terzopoulos BacchaiMISCELLANEA G.M. CHESI, A Few Notes on nosos and Language in Sophocles Philoctetes: .. , "Alan Hughes, Performing Greek Comedy, Cambridge 2012" - .. , : , , . -, 2012"==============================================================The shipping cost estimated by the system covers books weighing up to 750 gr.; a surcharge depending on the actual weight and destination applies for heavier books., PEC, 2012, 6, New York: The Seabury Press, 1975. Bilingual edition. Hardcover. Extremely mild rubbing to spine head and foot, very gentle rubbing to front board-rear edge, exceedingly gentle rubbing to corners, light soiling to fore-edges, tight binding, bright pages, pale sticker residue to front DJ, sunned DJ spine, less than quarter inch clipped tear to front DJ-rear corner, extremely mild rubbing to DJ corners, faint soiling to DJ and spine (fading), exceedingly gentle rubbing to DJ spine head and foot, price-clipped DJ, else near fine(-) in very good(+) DJ. in very good + dust-jacket. Octavo in pink DJ, b&w portrait to front DJ, ix, 262 pages, b&w portrait frontispiece, 22 cm. DJ protected in archival mylar sleeve. In English and German. Gertrude (Chodziesner) Kolmar was born in Berlin on December 10, 1894. Her life, in its remoteness from great events and literary circles, resembled that of Emily Dickenson, and her poetry, of which so little was published during her lifetime, remained virtually unknown until years after her death. She wrote her best work during the 1930s, an unlucky hour for a German poet, and a hopelessly tragic one for a German Jew. Unable to escape the Third Reich, she was first sentenced to hard labor in a munitions factory and then deported to Auschwitz in 1943 and murdered. Gertrud Kolmar sought refuge in the eternities of the physical world; her poetic concerns orbit ceaselessly around a few central themes: the nature of woman and her passions, the wonders of the earth and sea and their animal inhabitants. Contents: Gertrud Kolmar's life and works -- Image of woman/Weibliches bildnis; The woman poet/Die dichterin -- Woman undiscovered/Die unerschlossene -- Troglodyte/Troglodytin -- Girl/Mädchen -- You/Du -- The sinner/Die sünderin -- Metamorphoses/Verwandlungen -- Sea-monster/Meerwunder -- A mother/Eine mutter -- Toy/Spielzeug -- Sleep/Schlaf -- Murder/Mörder -- Come/Komm -- Winter/Winter -- The Jewish woman/Die Jüdin -- We Jews/Wir Juden -- Meditation/Die sinnende -- The buried woman/Die begrabene -- Farewell/Abschied -- Animal dreams/Tierträume; The herons/Die reiher -- Tragedy/Trauerspiel -- The toad/Die Kröte -- The vulture/Der geier -- Hyenas/Hyänen -- The great auk/Der große alk -- Killer dove/Mörder taube -- Rose sonnets/Bild der rose; The fairest wonders/Die scḧonen Wunder -- Mulatto Rose/Mulattenrose -- Rose in the night/Die Rose in der Nacht -- Orange face/Orangengesicht -- Chinese Rose/Chinesische Rose -- Chiffon Rose/Rose chiffon -- Milk/Milch -- Love/Liebe -- Prussian coats of arms/Preussische wappen; Allenburg/Wappen von Allenburg -- Bocholt/Wappen von Bocholt -- Elmshorn/Wappen von Elmshorn -- Frauenburg/Wappen von Frauenburg -- Lassan/Wappen von Lassan -- Neidenburg/Wappen von Neidenburg -- Schloppe/Wappen von Schloppe -- Usedom/Wappen von Usedom -- Worlds/Welten; Dedication/Zueignung -- The city/Die stadt -- The Angel in the Forest/Der Engel im Walde -- Out of Darkness/Aus dem Dunkel -- Towers/Türme -- The Unicorn/Das Einhorn -- The Animals of Nineveh/Die Tiere von Ninive -- The Sacrifice/Das Opfer -- The Urals/Der Ural -- The Mergui Isles/Die Mergui-Inseln -- Asia/Asien. Women poets, German -- 20th century., The Seabury Press, 1975, 0<