RICHTER, WOLFGANG & ZÄNKER, JÜRGEN:DER BÜRGERTRAUM VOM ADELSSCHLOSS - Aristokratische Bauformen im 19. und 20. Jahrhundert
- Erstausgabe 2015, ISBN: 9783498057121
Taschenbuch, Gebundene Ausgabe
Images Publishing Melbourne 2007. 35.0 x 25.0cms, 256pp, b/w & colour illusts, very good+ hardback & dustwrapper This book showcases 23 projects that Jackson and his colleagues have des… Mehr…
Images Publishing Melbourne 2007. 35.0 x 25.0cms, 256pp, b/w & colour illusts, very good+ hardback & dustwrapper This book showcases 23 projects that Jackson and his colleagues have designed in Melbourne, Sydney, Brisbane, Canberra, Shanghai, Qingdao, Hanoi, Berlin and London. ., Images Publishing Melbourne 2007, 0, ISBN:9780521878722Cambridge University Press, 01 January 2011Hardback 320 PAGESThe Cold War ideological battle with universal aspirations has given way to a clash of cultures as the world concurrently moves toward globalization of economies and communications and balkanization through a clash of ethnic and cultural identities. Traditional liberal theory has confronted daunting challenges in coping with these changes and with recent developments such as the spread of postmodern thought, religious fundamentalism, and global terrorism. This book argues that a political and legal philosophy based on pluralism is best suited to confront the problems of the twenty-first century. Pointing out that monist theories such as liberalism have become inadequate and that relativism is dangerous, the book makes the case for pluralism from the standpoint of both theory and its applications. The book engages with thinkers, such as Spinoza, Kant, Hegel, Rawls, Berlin, Dworkin, Habermas, and Derrida, and with several subjects that are at the center of current controversies, including equality, group rights, tolerance, secularism confronting religious revival, and political rights in the face of terrorism., 0, Basel, Boston, Berlin: Birkhäuser Verlag, 1997.. hardcover. Gut. 172 Seiten. Orig.-Pappband. Quarto, 28,5 x 22,4 cm. (Kratzspur auf Einband, sonst gut erhaltenes Exemplar). Künstlerisch gestalteter Band über das holländische Architektenbüro. Am Schluß mit Biographie, Bibliographie, Projekt- und Werkverzeichnis sowie der Liste der zahlreichen jungen Mitarbeiter., Birkhäuser Verlag, 1997., 2.5, Los Angeles: Getty Research Institute and the J. Paul Getty Museum, 2011. Pictorial boards, xxi, 330 pages, illustrations (some colour); 30 cm. Published on the occasion of Pacific Standard Time: Art in L.A. 1945-1980, an initiative of the Getty with arts institutions across Southern California, and accompanies the Getty Research Institute's exhibition Pacific Standard Time: Crosscurrents in L.A. Painting and Sculpture, 1950-1970, held at the J. Paul Getty Museum, Los Angeles, from 1 October 2011 through 5 February 2012 and at the Martin-Gropius-Bau, Berlin, from 15 March through 10 June 2012. Firm binding, clean inside copy. OVERSIZE! No priority/international, except by arrangement. Richly illustrated with colour plates. "This comprehensive, richly illustrated book explores postwar American art from a new perspective: Southern California. Grounded in more than a decade of research, Pacific Standard Time analyzes L.A.'s art scene from the end of World War II to the beginning of the 1980s, demonstrating the pioneering role Southern California artists played in the twentieth century's most influential art movements." - Publisher. CONTENTS: Introduction: shifting the standard: reappraising art in Los Angeles, by Rebecca Peabody et al.; 1. Floating structures: building the modern in postwar Los Angeles, by Andrew Perchuk and Catherine Taft; Case study houses, by Lyra Kilston; The Morder Institute of Art, by Catherine Taft; Collaborative couples, by Catherine Taft; The Post-Surrealists, by Catherine Taft; Zen in the studio, by Catherine Taft; The Anti-Square Merry-Go-round Show; action and politics in Los Angeles, by Serge Guilbaut; 2. Papa's got a brand new bag: crafting an art scene, by Lucy Bradnock and Rani Singh; In the shadow of the spotlight, by Rani Singh; Name games, by Lucy Bradnock; Tap City Circus, by Nancy Perloff; Brittin by Baza, by Ken D. Allen; Instant theatre, by Lucy Bradnock; Clickin' with Clax, by Rani Singh; Roxy's, by Alex Potts; 3. For people who know the difference: defining the pop art sixties, by Ken D. Allan, Lucy Bradnock, and Lisa Turvey; Tooth, by Annette Leddy; Duchamp in Pasadena, by Ken D. Allan; Gemini G.E.L., by Lucy Bradnock; The Artists' Protest Committee, by Ken D. Allan; The Golden State Mutual Art Collection, by Lucy Bradnock; Riko Mizuno, by John Tain; "Los Angeles Meant boys": David Hockney, Bob Mizer, and the lure of physique photography, by Richard Meyer; 4. Duration piece: rethinking sculpture in Los Angeles, by Donna Conwell and Glenn Phillips; Jack Brogan: fabricator, by Margaret Honda; Protesting art and technology, by Donna Conwell; First National Symposium on Habitability, by Donna Conwell; Process painting, by Glenn Phillips; L.A. air, by Donna Conwell; Postmodernism between art and film: Jack Goldstein's Portrait of Pere Tanguy, by Michael Lobel; 5. Here, here or there: on the whereabouts of art in the seventies, by Jane McFadden; Performing among us: ritual and witness, by Irene Tsatsos; Hermann Nitsch visits Los Angeles, by Jane McFadden; The Estrada Courts murals, by Dianna Marisol Santillano; Video at the Long Beach Museum of Art, by Catherine Taft; Close radio, by Jane McFadden; Making the scene: fashioning an artistic identity.. 1st. Hardcover. Fine. 4to. Collectible., Getty Research Institute and the J. Paul Getty Museum, 2011, 5, Los Angeles and London: Museum of Contemporary Art; Thames & Hudson, 2001. 287 pages, illustrations (some colour); 30 cm. Accompanies the exhibition "Public Offerings". presented at the Museum of Contemporary Art, Los Angeles, 1 April to 29 July 2001. BRAND NEW. A fine copy. Still in publisher's shrinkwrap. OVERSIZE! No priority/air, except by special arrangement. "This exhibition will explore breakthrough works made by some of the most important young artists to graduate from leading international art schools in the 1990s. The exhibition examines the conditions, consequences, and contexts surrounding these formative works. Featured artists include Matthew Barney, Thomas Demand, Renee Green, Damien Hirst, Steve McQueen, Takashi Murakami, Chris Ofili, Laura Owens, Diana Thater, and Rachel Whiteread. This is also a rare opportunity to view many pivotal works from major regional centers such as Los Angeles, New York, Berlin, London, and Tokyo. The exhibition is organized by MOCA's chief curator Paul Schimmel and is accompanied by a comprehensive catalogue co-edited by University of Virginia assistant professor of art history Howard Singerman, author of Art Subjects: Making Artists in the Twentieth Century.Organized by MOCA Chief Curator Paul Schimmel with Project Director Ciara Ennis, the exhibition offers a rare opportunity to view many pivotal works for the first time since their debut and to examine similarities and differences between the cultural centers of Los Angeles, New York, Berlin, London, and Tokyo. For many of these artists, this is the first time that their works are being situated historically. The works featured in Public Offerings include photography, video, film, sculpture, installation, and painting and were made while still at art school or within a few years of graduation." - Publisher.. 1st. Paperback. NEW. 4to. Collectible., Museum of Contemporary Art; Thames & Hudson, 2001, 6, Moscow: V-A-C Press, 2015. Softcover. As New. Bw illus. wraps with white Cyrillic lettering on black spine. French flaps. 162 pp. with bw photos throughout. On the Museum's Ruins presents Douglas Crimp's criticism of contemporary art, its institutions, and its politics alongside photographic works by the artist Louise Lawler to create a collaborative project that is itself an example of postmodern practice at its most provocative. Crimp elaborates the new paradigm of postmodernism through analyses of art practices broadly conceived, not only the practices of artists -- Robert Rauschenberg, Cindy Sherman, Marcel Broodthaers, Richard Serra, Sherrie Levine, and Robert Mapplethorpe -- but those of critics and curators, of international exhibitions, and of new or refurbished museums such as the Staatsgalerie in Stuttgart and the Martin-Gropius-Bau in Berlin. The essays: Photographs at the End of Modernism; On the Museum's Ruins; The Museum's Old, the Library's New Subject; The End of Painting; The Photographic Activity of Postmodernism; Appropriating Appropriation; Redefining Site Specificity; This is Not a Museum of Art; The Art of Exhibition; The Postmodern Museum. Text in Russian., V-A-C Press, 2015, 5, Reinbek bei Hamburg: Rowohlt Verlag, 1988. Umschlaggestaltung: Manfred Manke. Satz: Bembo. Inhalt: I). Das Adelsschloss. II). Aristokratisches bauen im 17. und 18. Jahrhundert. 1). Versailles. 2). Zum Schlossbau vor und nach Versailles. III). Tradition und bürgerliche Aneignung feudaler Schlösser. 1). Neue Schlösser des 19. Jahrhunderts. 2). Die bürgerliche Aneignubg adeliger Schlösser. IV). Die falschen Schlösser des Bürgertums. V). Bürgerschlösser des 19. Jahrhunderts. VI). Exkurs: Die Moderne in der Weimarer Republik. VII). Pseudoschlösser des Nationalsozialismus. VIII). Exkurs: Der Funktionalismus in der Bundesrepublik. IX). Die Schlösser der Postmoderne. X). Bemerkung zu einem neuen Umgang mit der gebauten Umwelt. Mit Anmerkungen, Literaturauswahl und Register. Zahlreichen Abbildungen. 276 Seiten. . 1. Auflage. Broschiert. Guter Zustand/Umschlag farbig illustriert. 23,5cmx19cm., Rowohlt Verlag, 1988, 0<
