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ISBN: 9783030183332
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2019, ISBN: 9783030183332
[ED: Hardcover], [PU: Palgrave Macmillan / Springer International Publishing / Springer, Berlin], Vernacular Aesthetics in the Later Middle Ages explores the formal composition, public pe… Mehr…
2018, ISBN: 9783030183332
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Vernacular Aesthetics in the Later Middle Ages : Politics, Performativity, and Reception from Literature to Music - gebunden oder broschiert
2019
ISBN: 3030183335
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2019, ISBN: 3030183335
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ISBN: 9783030183332
Vernacular Aesthetics in the Later Middle Ages explores the formal composition, public performance, and popular reception of vernacular poetry, music, and prose within late medieval Frenc… Mehr…
Bibliographische Daten des bestpassenden Buches
Detailangaben zum Buch - Vernacular Aesthetics in the Later Middle Ages: Politics, Performativity, and Reception from Literature to Music Katharine W. Jager Editor
EAN (ISBN-13): 9783030183332
ISBN (ISBN-10): 3030183335
Gebundene Ausgabe
Erscheinungsjahr: 2019
Herausgeber: Springer International Publishing Core >2
Buch in der Datenbank seit 2019-09-23T15:57:22+02:00 (Berlin)
Detailseite zuletzt geändert am 2024-04-19T16:52:05+02:00 (Berlin)
ISBN/EAN: 9783030183332
ISBN - alternative Schreibweisen:
3-030-18333-5, 978-3-030-18333-2
Alternative Schreibweisen und verwandte Suchbegriffe:
Autor des Buches: jager
Titel des Buches: music and politics, the vernacular, aesthetics, music the middle ages
Daten vom Verlag:
Autor/in: Katharine W. Jager
Titel: The New Middle Ages; Vernacular Aesthetics in the Later Middle Ages - Politics, Performativity, and Reception from Literature to Music
Verlag: Palgrave Macmillan; Springer International Publishing
312 Seiten
Erscheinungsjahr: 2019-07-18
Cham; CH
Gedruckt / Hergestellt in Niederlande.
Sprache: Englisch
128,39 € (DE)
131,99 € (AT)
142,00 CHF (CH)
POD
XI, 312 p. 24 illus.
BB; Hardcover, Softcover / Sprachwissenschaft, Literaturwissenschaft/Allgemeine und Vergleichende Literaturwissenschaft; Literaturwissenschaft: Antike und Mittelalter; Verstehen; Vernacular; Aesthetics; Literature; Late Medieval; Reception; Medieval Literature; Comparative Literature; European Literature; Vergleichende Literaturwissenschaft; Literatur: Geschichte und Kritik; Europa; EA; BC
explores the formal composition, public performance, and popular reception of vernacular poetry, music, and prose within late medieval French and English cultures. This collection of essays considers the extra-literary and extra-textual methods by which vernacular forms and genres were obtained and examines the roles that performance and orality play in the reception and dissemination of those genres, arguing that late medieval vernacular forms can be used to delineate the interests and perspectives of the subaltern. Via an interdisciplinary approach, contributors use theories of multimodality, translation, manuscript studies, sound studies, gender studies, and activist New Formalism to address how and for whom popular, vernacular medieval forms were made.
Vernacular Aesthetics in the Later Middle Ages Katherine W. Jager Joel D. Anderson Katharine W. Jager Adin Lears Lisa Colton Louise McInnes Barbara Zimbalist Kate Maxwell David Hadbawnik Jack Upland Noëlle Phillips Meditations The Book of Margery Kempe, Jessica Barr.“The essays in this collection are carefully written and researched: the abundant notes are a resource in themselves. Many are richly illustrated and offer a wealth of information about the manuscript record. … If we wish to grasp how medieval aesthetics were just as important to the lives of ordinary people as they were to the rich and the writers they patronized, then we will certainly need more books like this one.” (Taylor Cowdery, Speculum, Vol. 96 (2), April, 2021)
is a poet and medieval scholar. She is Associate Professor of English at the University of Houston–Downtown, USA, and has published essays on medieval aesthetics, the masculine performativity of chivalric speech acts, onomatopoeia and multimodality in alliterative verse, and aurality in late medieval English poetry, among other subjects.
Katharine W. Jagerexplores the formal composition, public performance, and popular reception of vernacular poetry, music, and prose within late medieval French and English cultures. This collection of essays considers the extra-literary and extra-textual methods by which vernacular forms and genres were obtained and examines the roles that performance and orality play in the reception and dissemination of those genres, arguing that late medieval vernacular forms can be used to delineate the interests and perspectives of the subaltern. Via an interdisciplinary approach, contributors use theories of multimodality, translation, manuscript studies, sound studies, gender studies, and activist New Formalism to address how and for whom popular, vernacular medieval forms were made.
Vernacular Aesthetics in the Later Middle Ages Piers PlowmanCapitalizes on recent work and theory exploring the aesthetic production of poetry, prose, and music Discusses an impressive range of textual material, including musical lyrics, devotional texts, spiritual autobiographies, and dramas Provides appeal to medieval scholars interested in manuscripts, the history of the English language, cultural theory, postcolonial theory, music, literature, and postmedievalism
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