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Vernacular Aesthetics in the Later Middle Ages: Politics, Performativity, and Reception from Literature to Music Katharine W. Jager Editor
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Vernacular Aesthetics in the Later Middle Ages explores the formal composition, public performance, and popular reception of vernacular poetry, music, and prose within late medieval Frenc… Mehr…

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ISBN: 9783030183349

Vernacular Aesthetics in the Later Middle Ages explores the formal composition, public performance, and popular reception of vernacular poetry, music, and prose within late medieval Frenc… Mehr…

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Katharine W. Jager:
Vernacular Aesthetics in the Later Middle Ages - Erstausgabe

2019, ISBN: 9783030183349

Politics, Performativity, and Reception from Literature to Music, eBooks, eBook Download (PDF), Auflage, [PU: Palgrave Macmillan], Seiten: 312, Palgrave Macmillan, 2019

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Bibliographische Daten des bestpassenden Buches

Details zum Buch

Detailangaben zum Buch - Vernacular Aesthetics in the Later Middle Ages: Politics, Performativity, and Reception from Literature to Music Katharine W. Jager Editor


EAN (ISBN-13): 9783030183349
Erscheinungsjahr: 2019
Herausgeber: Palgrave Macmillan Digital >16

Buch in der Datenbank seit 2019-09-23T15:57:22+02:00 (Berlin)
Detailseite zuletzt geändert am 2024-04-19T16:52:05+02:00 (Berlin)
ISBN/EAN: 9783030183349

ISBN - alternative Schreibweisen:
978-3-030-18334-9
Alternative Schreibweisen und verwandte Suchbegriffe:
Titel des Buches: the vernacular


Daten vom Verlag:

Autor/in: Katharine W. Jager
Titel: The New Middle Ages; Vernacular Aesthetics in the Later Middle Ages - Politics, Performativity, and Reception from Literature to Music
Verlag: Palgrave Macmillan; Springer International Publishing
312 Seiten
Erscheinungsjahr: 2019-07-03
Cham; CH
Sprache: Englisch
117,69 € (DE)
121,00 € (AT)
142,00 CHF (CH)
Available
XI, 312 p. 24 illus.

EA; E107; eBook; Nonbooks, PBS / Sprachwissenschaft, Literaturwissenschaft/Allgemeine und Vergleichende Literaturwissenschaft; Literaturwissenschaft: Antike und Mittelalter; Verstehen; Vernacular; Aesthetics; Literature; Late Medieval; Reception; B; Medieval Literature; Comparative Literature; European Literature; Literature, Cultural and Media Studies; Vergleichende Literaturwissenschaft; Literatur: Geschichte und Kritik; Europa; BB

explores the formal composition, public performance, and popular reception of vernacular poetry, music, and prose within late medieval French and English cultures. This collection of essays considers the extra-literary and extra-textual methods by which vernacular forms and genres were obtained and examines the roles that performance and orality play in the reception and dissemination of those genres, arguing that late medieval vernacular forms can be used to delineate the interests and perspectives of the subaltern. Via an interdisciplinary approach, contributors use theories of multimodality, translation, manuscript studies, sound studies, gender studies, and activist New Formalism to address how and for whom popular, vernacular medieval forms were made. 

Vernacular Aesthetics in the Later Middle Ages

Katherine W. Jager Joel D. Anderson Katharine W. Jager Adin Lears Lisa Colton  Louise McInnes Barbara Zimbalist Kate Maxwell David Hadbawnik Jack Upland Noëlle Phillips Meditations The Book of Margery Kempe, Jessica Barr.

“The essays in this collection are carefully written and researched: the abundant notes are a resource in themselves. Many are richly illustrated and offer a wealth of information about the manuscript record. … If we wish to grasp how medieval aesthetics were just as important to the lives of ordinary people as they were to the rich and the writers they patronized, then we will certainly need more books like this one.” (Taylor Cowdery, Speculum, Vol. 96 (2), April, 2021)

is a poet and medieval scholar.  She is Associate Professor of English at the University of Houston–Downtown, USA, and has published essays on medieval aesthetics, the masculine performativity of chivalric speech acts, onomatopoeia and multimodality in alliterative verse, and aurality in late medieval English poetry, among other subjects.

Katharine W. Jager

explores the formal composition, public performance, and popular reception of vernacular poetry, music, and prose within late medieval French and English cultures.  This collection of essays considers the extra-literary and extra-textual methods by which vernacular forms and genres were obtained and examines the roles that performance and orality play in the reception and dissemination of those genres, arguing that late medieval vernacular forms can be used to delineate the interests and perspectives of the subaltern.  Via an interdisciplinary approach, contributors use theories of multimodality, translation, manuscript studies, sound studies, gender studies, and activist New Formalism to address how and for whom popular, vernacular medieval forms were made.  

Vernacular Aesthetics in the Later Middle Ages
Capitalizes on recent work and theory exploring the aesthetic production of poetry, prose, and music Discusses an impressive range of textual material, including musical lyrics, devotional texts, spiritual autobiographies, and dramas Provides appeal to medieval scholars interested in manuscripts, the history of the English language, cultural theory, postcolonial theory, music, literature, and postmedievalism

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