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ISBN: 9783030392321

Researching and writing about contemporary art and artists present unique challenges for scholars, students, professional critics and creative practitioners alike. This collection of essa… Mehr…

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Pace, Ian (Herausgeber); Wiley, Christopher (Herausgeber):
Researching and Writing on Contemporary Art and Artists Challenges, Practices, and Complexities - gebunden oder broschiert

2020, ISBN: 3030392325

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Bibliographische Daten des bestpassenden Buches

Details zum Buch
Researching And Writing On Contemporary Art And Artists: Challenges, Practices, And Complexities
Autor:
Titel:
ISBN-Nummer:

9783030392321

Detailangaben zum Buch - Researching And Writing On Contemporary Art And Artists: Challenges, Practices, And Complexities


EAN (ISBN-13): 9783030392321
ISBN (ISBN-10): 3030392325
Gebundene Ausgabe
Erscheinungsjahr: 2020
Herausgeber: Springer International Publishing

Buch in der Datenbank seit 2020-04-24T14:22:16+02:00 (Berlin)
Detailseite zuletzt geändert am 2024-02-19T20:56:56+01:00 (Berlin)
ISBN/EAN: 9783030392321

ISBN - alternative Schreibweisen:
3-030-39232-5, 978-3-030-39232-1
Alternative Schreibweisen und verwandte Suchbegriffe:
Autor des Buches: christopher
Titel des Buches: art writing, art and artists, contemporary artists, contemporary art 1945 1982

Daten vom Verlag:

Autor/in: Christopher Wiley; Ian Pace
Titel: Researching and Writing on Contemporary Art and Artists - Challenges, Practices, and Complexities
Verlag: Palgrave Macmillan; Springer International Publishing
281 Seiten
Erscheinungsjahr: 2020-06-28
Cham; CH
Gedruckt / Hergestellt in Niederlande.
Sprache: Englisch
139,09 € (DE)
142,99 € (AT)
153,50 CHF (CH)
POD
XVI, 281 p. 36 illus., 11 illus. in color.

BB; Hardcover, Softcover / Kunst/Allgemeines, Lexika; Kunst: allgemeine Themen; Verstehen; Contemporary Art; Contemporary Artists; Theory of Biography; Life Writing; Theatre; Dance; Music; Creative Practice; Arts; Research Skills; Lerntechniken; EA; BC

Researching and writing about contemporary art and artists present unique challenges for scholars, students, professional critics and creative practitioners alike. This collection of essays from across the arts disciplines—music, literature, dance, theatre and the visual arts—explores the challenges and complexities raised by engaging in researching and writing on living or recently deceased subjects and their output. Different sections explore critical perspectives and case studies in relation to innovative, distinctive or otherwise leading work, as well as offering innovative modes of discourse such as a visual essay and a music composition. Subjects addressed include recent scandals of Canadian literary celebrity, late-career output, the written element of music composition PhDs, and the boundaries between ethnography and hagiography, with case studies ranging from Howard Barker to Adrian Piper to Sylvie Guillem and Misty Copeland.

Annie Yim, in conversation with Christopher Wiley.

 

General Introduction.-  Writing About Contemporary Creative Art and Artists.-  PART I: Critical Perspectives.-  The Artist is Present: Scandal and the Academic Study of the Living Artist.-  From vocational calling to career construction: Late-career authors and critical self-reflection.-  The purpose of the written element in composition PhDs.-  Ethnographic Approaches to the Study of Western Art Music: Questions of Context, Realism, Evidence, Description and Analysis.-  When Ethnography becomes Hagiography: Uncritical Musical Perspectives.-  PART II: Case Studies Across the Arts.-  Writing Catastrophe: Howard Barker and the Body.-  Writing the Ballerina: Sylvie Guillem, Misty Copeland and Lessons in Biography.-  Amend the Arena: On Adrian Piper’s Work.-  Memory and Irony in Artfrom: Researching the canon through publications of art and design.-  PART III: Art Considered on its Own Terms.-  Occlusionary Tactics (visual essay).- Abstracts (music composition, 2015).-  MusicArt: Creating Dialogues Across the Arts.- 

(2021).

(2020). He has also published articles in many journals, recorded 40 CDs, and given over 250 world premieres.

Christopher Wiley Writing About Contemporary Musicians Transnational Perspectives on Artists’ Lives Women’s Suffrage in Word, Image, Music and Drama The Routledge Companion to Autoethnography and Self-Reflexivity in Music Studies Ian Pace The History of Photography in Sound Uncommon Ground: The Music of Michael Finnissy Critical Perspectives on Michael Finnissy Writing about Contemporary Musicians RethinkingContemporary Musicology

Researching and writing about contemporary art and artists present unique challenges for scholars, students, professional critics and creative practitioners alike. This collection of essays from across the arts disciplines—music, literature, dance, theatre and the visual arts—explores the challenges and complexities raised by engaging in researching and writing on living or recently deceased subjects and their output. Different sections explore critical perspectives and case studies in relation to innovative, distinctive or otherwise leading work, as well as offering innovative modes of discourse such as a visual essay and a music composition. Subjects addressed include recent scandals of Canadian literary celebrity, late-career output, the written element of music composition PhDs, and the boundaries between ethnography and hagiography, with case studies ranging from Howard Barker to Adrian Piper to Sylvie Guillem and Misty Copeland.


Represents an original and substantial contribution to the field of writing about contemporary creative art and artists, a thriving yet largely untapped field for multi-disciplinary discourse Considers the writing of contemporary creative art and artists from a wide range of perspectives within and across the arts, nurturing dialogue between these different disciplines Responds to timely questions such as the validity of creative practice as research and its equitability with more traditional humanities-oriented output

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