Fahrenberg, Heike Andrea:Framing and reframing the ladies : viewing attitudes in "The portrait of a lady" and its cinematic counterpart. Mainzer Studien zur Amerikanistik ; Bd. 54
- Taschenbuch 2010, ISBN: 3631567057
[EAN: 9783631567050], Gebraucht, wie neu, [SC: 4.0], [PU: Frankfurt, M. ; Berlin ; Bern ; Bruxelles ; New York, NY ; Oxford ; Wien : Lang], JAMES, HENRY: THE PORTRAIT OF A LADY ; FRAU LAD… Mehr…
[EAN: 9783631567050], Gebraucht, wie neu, [SC: 4.0], [PU: Frankfurt, M. ; Berlin ; Bern ; Bruxelles ; New York, NY ; Oxford ; Wien : Lang], JAMES, HENRY: THE PORTRAIT OF A LADY ; FRAU LADY, ENGLISCHE LITERATUR AMERIKAS, ÖFFENTLICHE DARBIETUNGEN, FILM, RUNDFUNK, 340 S. : Ill. ; 23 cm Tadelloses Exemplar. - Table of Contents -- Motto -- 1. Framework 11 -- 1.1. Analysis, Theory, and the Eye of the Beholder 11 -- 1.2. From Theory to Analytical Practice: The Title as Signifying Moment 13 -- 1.2.1. Post-Structuralism, Non-Essentialism, Feminism—Getting at the Linguistic and Political Dimensions of Discrimination and Re/presentation 14 -- 1.2.2. The Significance of Framing as Implied by the Title 21 -- 1.2.3. Comparing Counterparts: Questions ofEvidence and Method 26 -- 1.3. Notions of 'Reality' as Matters of Style in Cinematic and Literary Re/presentations 33 -- 1.3.1 Realism, Omniscience and the Renaissance Ideal of Re/presentation on Canvas, Page, and Screen 40 -- 2. Portraying the Act of Portrayal: Self-Reflexive Acts of Framing in James' and Campion's The Portrait ofa Lady 51 -- 2.1. "Mere Holes in a Dead Wall:" Isabel's Portrait in the "House of Fiction" 51 -- 2.1.1. Looking Through One's Frame of Mind: Viewing Attitudes in Both Portraits 67 -- 2.1.2. Framing Oneself: Isabel and Her Ideal of the Eminent Woman 92 -- 2.2. Framing the Audience: Campion's Treface' to her Portrait ofa Lady 102 -- 2.3. Undermining Omniscience: James' Narrator and Campion's Camera 113 -- 2.3.1. From Visual Obstruction to the Limits of (In/)Sight 122 3. Framing Buildings, Framing Minds—On Houses, Prisons, and Convention(s) 127 -- 3.1. Elaborate Designs: Subverting Conventional Notions of Romance 127 – 3.1.1. -- TheKissofRomanceasTheKissofDeath 127 -- 3.1.2. On 'Romantic' Lovers and the Use ofa Rose 133 -- 3.1.3. One's Lover's Eyes: On Narcissism's Empty Mirrors 141 -- 3.1.4. Isabel, Osmond, and Emerson:'What's Love Got to Do With It?' 147 -- 3.2. Convention Incarnate: Osmond as the World's'Evil Eye' 157 -- 3.2.1. 'Old-Way' Conventions: Osmond as Renaissance Man 162 -- 3.2.2. Creating the Perfect Family: Convention as Despotie Designer 176 -- 3.2.3. Visualizing the Effects of Convention: Isabel as Designer Piece 180 -- 3.3. Propriety's Supportive Role: Merle as Osmond's 'Partner' in Crime 194 -- 3.3.1. Merle as Propriety Incarnate 194 -- 3.3.2. Observing the Proprieties—Falling for Merle 198 -- 3.3.3. Merle's Patronage As 'Schirmherrschaft:' Umbrellas, Parasols, and the Lawsof Convention 202 -- 3.3.4. On Relations between Breakable Objects: Merle as Isabel's Counterpart 209 -- 3.3.5. Fellow Inmates: Merle, Isabel, and Pansy in Convention's Prison 222 -- 3.4. Caught in Convention's Cage: Isabel and the House of Darkness 234 -- 3.4.1. Conventional Choices: Preferring Osmond over Warburton 249 -- 3.4.2. Birds of a Feather: Pansy as Isabel's Companion Piece 254 -- 3.4.3. Consummate Pieces Consumed: The Ball of Convention 257 -- 3.4.4. Obedience Enforced: Corrective Measures and Conventional Tastes 268 -- 3.5. Convention Contextualized: Reflections of Contemporary Discourse 288 -- 4. Imperfect Closure for Perfect Endings 292 -- 4.1. Non-Affirmative 'Realism' in James and Campion: Results 305 -- Bibliography 311 -- ListofPlates 335 -- Index 336 ISBN 9783631567050 Sprache: Englisch Gewicht in Gramm: 585, Books<
| | ZVAB.comFundus-Online GbR Borkert Schwarz Zerfaß, Berlin, Germany [8335842] [Rating: 5 (von 5)] NOT NEW BOOK. Versandkosten: EUR 4.00 Details... |
(*) Derzeit vergriffen bedeutet, dass dieser Titel momentan auf keiner der angeschlossenen Plattform verfügbar ist.
Fahrenberg, Heike Andrea:Framing and reframing the ladies : viewing attitudes in "The portrait of a lady" and its cinematic counterpart. Mainzer Studien zur Amerikanistik ; Bd. 54
- Taschenbuch 2010, ISBN: 3631567057
[EAN: 9783631567050], Gebraucht, wie neu, [PU: Frankfurt, M. ; Berlin ; Bern ; Bruxelles ; New York, NY ; Oxford ; Wien : Lang], JAMES, HENRY: THE PORTRAIT OF A LADY ; FRAU LADY, ENGLISCH… Mehr…
[EAN: 9783631567050], Gebraucht, wie neu, [PU: Frankfurt, M. ; Berlin ; Bern ; Bruxelles ; New York, NY ; Oxford ; Wien : Lang], JAMES, HENRY: THE PORTRAIT OF A LADY ; FRAU LADY, ENGLISCHE LITERATUR AMERIKAS, ÖFFENTLICHE DARBIETUNGEN, FILM, RUNDFUNK, 340 S. : Ill. ; 23 cm Tadelloses Exemplar. - Table of Contents -- Motto -- 1. Framework 11 -- 1.1. Analysis, Theory, and the Eye of the Beholder 11 -- 1.2. From Theory to Analytical Practice: The Title as Signifying Moment 13 -- 1.2.1. Post-Structuralism, Non-Essentialism, Feminism—Getting at the Linguistic and Political Dimensions of Discrimination and Re/presentation 14 -- 1.2.2. The Significance of Framing as Implied by the Title 21 -- 1.2.3. Comparing Counterparts: Questions ofEvidence and Method 26 -- 1.3. Notions of 'Reality' as Matters of Style in Cinematic and Literary Re/presentations 33 -- 1.3.1 Realism, Omniscience and the Renaissance Ideal of Re/presentation on Canvas, Page, and Screen 40 -- 2. Portraying the Act of Portrayal: Self-Reflexive Acts of Framing in James' and Campion's The Portrait ofa Lady 51 -- 2.1. "Mere Holes in a Dead Wall:" Isabel's Portrait in the "House of Fiction" 51 -- 2.1.1. Looking Through One's Frame of Mind: Viewing Attitudes in Both Portraits 67 -- 2.1.2. Framing Oneself: Isabel and Her Ideal of the Eminent Woman 92 -- 2.2. Framing the Audience: Campion's Treface' to her Portrait ofa Lady 102 -- 2.3. Undermining Omniscience: James' Narrator and Campion's Camera 113 -- 2.3.1. From Visual Obstruction to the Limits of (In/)Sight 122 3. Framing Buildings, Framing Minds—On Houses, Prisons, and Convention(s) 127 -- 3.1. Elaborate Designs: Subverting Conventional Notions of Romance 127 – 3.1.1. -- TheKissofRomanceasTheKissofDeath 127 -- 3.1.2. On 'Romantic' Lovers and the Use ofa Rose 133 -- 3.1.3. One's Lover's Eyes: On Narcissism's Empty Mirrors 141 -- 3.1.4. Isabel, Osmond, and Emerson:'What's Love Got to Do With It?' 147 -- 3.2. Convention Incarnate: Osmond as the World's'Evil Eye' 157 -- 3.2.1. 'Old-Way' Conventions: Osmond as Renaissance Man 162 -- 3.2.2. Creating the Perfect Family: Convention as Despotie Designer 176 -- 3.2.3. Visualizing the Effects of Convention: Isabel as Designer Piece 180 -- 3.3. Propriety's Supportive Role: Merle as Osmond's 'Partner' in Crime 194 -- 3.3.1. Merle as Propriety Incarnate 194 -- 3.3.2. Observing the Proprieties—Falling for Merle 198 -- 3.3.3. Merle's Patronage As 'Schirmherrschaft:' Umbrellas, Parasols, and the Lawsof Convention 202 -- 3.3.4. On Relations between Breakable Objects: Merle as Isabel's Counterpart 209 -- 3.3.5. Fellow Inmates: Merle, Isabel, and Pansy in Convention's Prison 222 -- 3.4. Caught in Convention's Cage: Isabel and the House of Darkness 234 -- 3.4.1. Conventional Choices: Preferring Osmond over Warburton 249 -- 3.4.2. Birds of a Feather: Pansy as Isabel's Companion Piece 254 -- 3.4.3. Consummate Pieces Consumed: The Ball of Convention 257 -- 3.4.4. Obedience Enforced: Corrective Measures and Conventional Tastes 268 -- 3.5. Convention Contextualized: Reflections of Contemporary Discourse 288 -- 4. Imperfect Closure for Perfect Endings 292 -- 4.1. Non-Affirmative 'Realism' in James and Campion: Results 305 -- Bibliography 311 -- ListofPlates 335 -- Index 336 ISBN 9783631567050 Sprache: Englisch Gewicht in Gramm: 585, Books<
| | AbeBooks.deFundus-Online GbR Borkert Schwarz Zerfaß, Berlin, Germany [8335842] [Rating: 5 (von 5)] NOT NEW BOOK. Versandkosten: EUR 4.00 Details... |
(*) Derzeit vergriffen bedeutet, dass dieser Titel momentan auf keiner der angeschlossenen Plattform verfügbar ist.
Fahrenberg, Heike Andrea:Framing and reframing the ladies : viewing attitudes in "The portrait of a lady" and its cinematic counterpart. Mainzer Studien zur Amerikanistik ; Bd. 54
- gebrauchtes Buch 2010, ISBN: 9783631567050
[PU: Frankfurt, M. ; Berlin ; Bern ; Bruxelles ; New York, NY ; Oxford ; Wien : Lang], 340 S. : Ill. ; 23 cm kart.
Tadelloses Exemplar. - Table of Contents -- Motto -- 1. Framework 11 -- … Mehr…
[PU: Frankfurt, M. ; Berlin ; Bern ; Bruxelles ; New York, NY ; Oxford ; Wien : Lang], 340 S. : Ill. ; 23 cm kart.
Tadelloses Exemplar. - Table of Contents -- Motto -- 1. Framework 11 -- 1.1. Analysis, Theory, and the Eye of the Beholder 11 -- 1.2. From Theory to Analytical Practice: The Title as Signifying Moment 13 -- 1.2.1. Post-Structuralism, Non-Essentialism, Feminism—Getting at the Linguistic and Political Dimensions of Discrimination and Re/presentation 14 -- 1.2.2. The Significance of Framing as Implied by the Title 21 -- 1.2.3. Comparing Counterparts: Questions ofEvidence and Method 26 -- 1.3. Notions of 'Reality' as Matters of Style in Cinematic and Literary Re/presentations 33 -- 1.3.1 Realism, Omniscience and the Renaissance Ideal of Re/presentation on Canvas, Page, and Screen 40 -- 2. Portraying the Act of Portrayal: Self-Reflexive Acts of Framing in James' and Campion's The Portrait ofa Lady 51 -- 2.1. "Mere Holes in a Dead Wall:" Isabel's Portrait in the "House of Fiction" 51 -- 2.1.1. Looking Through One's Frame of Mind: Viewing Attitudes in Both Portraits 67 -- 2.1.2. Framing Oneself: Isabel and Her Ideal of the Eminent Woman 92 -- 2.2. Framing the Audience: Campion's Treface' to her Portrait ofa Lady 102 -- 2.3. Undermining Omniscience: James' Narrator and Campion's Camera 113 -- 2.3.1. From Visual Obstruction to the Limits of (In/)Sight 122 3. Framing Buildings, Framing Minds—On Houses, Prisons, and Convention(s) 127 -- 3.1. Elaborate Designs: Subverting Conventional Notions of Romance 127 – 3.1.1. -- TheKissofRomanceasTheKissofDeath 127 -- 3.1.2. On 'Romantic' Lovers and the Use ofa Rose 133 -- 3.1.3. One's Lover's Eyes: On Narcissism's Empty Mirrors 141 -- 3.1.4. Isabel, Osmond, and Emerson:'What's Love Got to Do With It?' 147 -- 3.2. Convention Incarnate: Osmond as the World's'Evil Eye' 157 -- 3.2.1. 'Old-Way' Conventions: Osmond as Renaissance Man 162 -- 3.2.2. Creating the Perfect Family: Convention as Despotie Designer 176 -- 3.2.3. Visualizing the Effects of Convention: Isabel as Designer Piece 180 -- 3.3. Propriety's Supportive Role: Merle as Osmond's 'Partner' in Crime 194 -- 3.3.1. Merle as Propriety Incarnate 194 -- 3.3.2. Observing the Proprieties—Falling for Merle 198 -- 3.3.3. Merle's Patronage As 'Schirmherrschaft:' Umbrellas, Parasols, and the Lawsof Convention 202 -- 3.3.4. On Relations between Breakable Objects: Merle as Isabel's Counterpart 209 -- 3.3.5. Fellow Inmates: Merle, Isabel, and Pansy in Convention's Prison 222 -- 3.4. Caught in Convention's Cage: Isabel and the House of Darkness 234 -- 3.4.1. Conventional Choices: Preferring Osmond over Warburton 249 -- 3.4.2. Birds of a Feather: Pansy as Isabel's Companion Piece 254 -- 3.4.3. Consummate Pieces Consumed: The Ball of Convention 257 -- 3.4.4. Obedience Enforced: Corrective Measures and Conventional Tastes 268 -- 3.5. Convention Contextualized: Reflections of Contemporary Discourse 288 -- 4. Imperfect Closure for Perfect Endings 292 -- 4.1. Non-Affirmative 'Realism' in James and Campion: Results 305 -- Bibliography 311 -- ListofPlates 335 -- Index 336 IS, DE, [SC: 4.50], gebraucht; wie neu, gewerbliches Angebot, [GW: 585g], Banküberweisung, Offene Rechnung, PayPal, Internationaler Versand<
| | booklooker.deFundus-Online GbR Borkert/ Schwarz/ Zerfaß Versandkosten:Versand nach Deutschland. (EUR 4.50) Details... |
(*) Derzeit vergriffen bedeutet, dass dieser Titel momentan auf keiner der angeschlossenen Plattform verfügbar ist.
Fahrenberg, Heike Andrea:Framing and reframing the ladies : viewing attitudes in "The portrait of a lady" and its cinematic counterpart. Mainzer Studien zur Amerikanistik ; Bd. 54
- gebrauchtes Buch 2010, ISBN: 9783631567050
Frankfurt, M. ; Berlin ; Bern ; Bruxelles ; New Yo, Lang, 340 S. : Ill. ; 23 cm kart. Tadelloses Exemplar. - Table of Contents -- Motto -- 1. Framework 11 -- 1.1. Analysis, Theory, and th… Mehr…
Frankfurt, M. ; Berlin ; Bern ; Bruxelles ; New Yo, Lang, 340 S. : Ill. ; 23 cm kart. Tadelloses Exemplar. - Table of Contents -- Motto -- 1. Framework 11 -- 1.1. Analysis, Theory, and the Eye of the Beholder 11 -- 1.2. From Theory to Analytical Practice: The Title as Signifying Moment 13 -- 1.2.1. Post-Structuralism, Non-Essentialism, Feminism?Getting at the Linguistic and Political Dimensions of Discrimination and Re/presentation 14 -- 1.2.2. The Significance of Framing as Implied by the Title 21 -- 1.2.3. Comparing Counterparts: Questions ofEvidence and Method 26 -- 1.3. Notions of 'Reality' as Matters of Style in Cinematic and Literary Re/presentations 33 -- 1.3.1 Realism, Omniscience and the Renaissance Ideal of Re/presentation on Canvas, Page, and Screen 40 -- 2. Portraying the Act of Portrayal: Self-Reflexive Acts of Framing in James' and Campion's The Portrait ofa Lady 51 -- 2.1. "Mere Holes in a Dead Wall:" Isabel's Portrait in the "House of Fiction" 51 -- 2.1.1. Looking Through One's Frame of Mind: Viewing Attitudes in Both Portraits 67 -- 2.1.2. Framing Oneself: Isabel and Her Ideal of the Eminent Woman 92 -- 2.2. Framing the Audience: Campion's Treface' to her Portrait ofa Lady 102 -- 2.3. Undermining Omniscience: James' Narrator and Campion's Camera 113 -- 2.3.1. From Visual Obstruction to the Limits of (In/)Sight 122 3. Framing Buildings, Framing Minds?On Houses, Prisons, and Convention(s) 127 -- 3.1. Elaborate Designs: Subverting Conventional Notions of Romance 127 ? 3.1.1. -- TheKissofRomanceasTheKissofDeath 127 -- 3.1.2. On 'Romantic' Lovers and the Use ofa Rose 133 -- 3.1.3. One's Lover's Eyes: On Narcissism's Empty Mirrors 141 -- 3.1.4. Isabel, Osmond, and Emerson:'What's Love Got to Do With It?' 147 -- 3.2. Convention Incarnate: Osmond as the World's'Evil Eye' 157 -- 3.2.1. 'Old-Way' Conventions: Osmond as Renaissance Man 162 -- 3.2.2. Creating the Perfect Family: Convention as Despotie Designer 176 -- 3.2.3. Visualizing the Effects of Convention: Isabel as Designer Piece 180 -- 3.3. Propriety's Supportive Role: Merle as Osmond's 'Partner' in Crime 194 -- 3.3.1. Merle as Propriety Incarnate 194 -- 3.3.2. Observing the Proprieties?Falling for Merle 198 -- 3.3.3. Merle's Patronage As 'Schirmherrschaft:' Umbrellas, Parasols, and the Lawsof Convention 202 -- 3.3.4. On Relations between Breakable Objects: Merle as Isabel's Counterpart 209 -- 3.3.5. Fellow Inmates: Merle, Isabel, and Pansy in Convention's Prison 222 -- 3.4. Caught in Convention's Cage: Isabel and the House of Darkness 234 -- 3.4.1. Conventional Choices: Preferring Osmond over Warburton 249 -- 3.4.2. Birds of a Feather: Pansy as Isabel's Companion Piece 254 -- 3.4.3. Consummate Pieces Consumed: The Ball of Convention 257 -- 3.4.4. Obedience Enforced: Corrective Measures and Conventional Tastes 268 -- 3.5. Convention Contextualized: Reflections of Contemporary Discourse 288 -- 4. Imperfect Closure for Perfect Endings 292 -- 4.1. Non-Affirmative 'Realism' in James and Campion: Results 305 -- Bibliography 311 -- ListofPlates 335 -- Index 336 ISBN 9783631567050Kulturwissenschaft [James, Henry: The portrait of a lady ; Frau ; The Portrait of a Lady, Englische Literatur Amerikas, Öffentliche Darbietungen, Film, Rundfunk] 2010, [PU: Lang, Frankfurt am Main/Berlin/Bern/Bruxelles/New York/Oxford/Wien]<
| | antiquariat.deFundus-Online GbR Versandkosten: EUR 3.00 Details... |
(*) Derzeit vergriffen bedeutet, dass dieser Titel momentan auf keiner der angeschlossenen Plattform verfügbar ist.
Fahrenberg, Heike:Framing and Reframing the Ladies
- Taschenbuch 2010, ISBN: 9783631567050
[ED: Softcover], [PU: Peter Lang Ltd. International Academic Publishers], Striving to leave fidelity-criticism behind, this comparative analysis treats Henry James' Portrait of a Lady and… Mehr…
[ED: Softcover], [PU: Peter Lang Ltd. International Academic Publishers], Striving to leave fidelity-criticism behind, this comparative analysis treats Henry James' Portrait of a Lady and its cinematic counterpart by Jane Campion as complementary versions of Isabel's story. The graphic integration of stills functioning as visual evidence emphasizes the dialogic quality of this comparison based on non-essentialist feminist and post-structuralist principles. Mainly focusing on literary and visual strategies employed by both media to represent wo/men on page and screen, this analysis shows how those strategies result in a non-affirmative realism preventing both novel and movie from killing their 'ladies' into art.
2010. 344 S. 230 mm
Versandfertig in 6-10 Tagen, DE, [SC: 0.00], Neuware, gewerbliches Angebot, Offene Rechnung (Vorkasse vorbehalten)<
| | booklooker.debuecher.de GmbH & Co. KG Versandkosten:Versandkostenfrei, Versand nach Deutschland. (EUR 0.00) Details... |
(*) Derzeit vergriffen bedeutet, dass dieser Titel momentan auf keiner der angeschlossenen Plattform verfügbar ist.