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Anthropology in a glass case - Carine Ayélé Durand
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[ED: Taschenbuch], [PU: VDM Verlag], Neuware - Grounded in a detailed study of artistic practice surrounding the development of two exhibitions, one at the Museum of Archaeology and Anthropology (Cambridge) and the other at the Nordiska Museet (the Nordic Museum, Stockholm), this book examines how indigenous artists and artisans challenge common assumptions about cultural continuity and authenticity through their work. In contrast to the majority of works on this theme, the author focuses on European institutions which have developed distinct ways of engaging with indigenous communities from those in North America and the Pacific. The research demonstrates that engagement with museum artefacts, contemporary artworks, and their makers can yield important insights for anthropology, which are not achievable by other means. At the same time it considers the difficulties and ambiguities involved in reaching consensus between groups with divergent agendas. Interest among museum practitioners in what indigenous artists can offer museums is explored in relation to the increasing need for museums to demonstrate their social relevance., DE, [SC: 0.00], Neuware, gewerbliches Angebot, 222x152x18 mm, 188, [GW: 307g], PayPal, offene Rechnung, Banküberweisung, sofortueberweisung.de, Internationaler Versand

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Carine Ayélé Durand:
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[ED: Taschenbuch], [PU: VDM Verlag], Neuware - Grounded in a detailed study of artistic practice surrounding the development of two exhibitions, one at the Museum of Archaeology and Anthropology (Cambridge) and the other at the Nordiska Museet (the Nordic Museum, Stockholm), this book examines how indigenous artists and artisans challenge common assumptions about cultural continuity and authenticity through their work. In contrast to the majority of works on this theme, the author focuses on European institutions which have developed distinct ways of engaging with indigenous communities from those in North America and the Pacific. The research demonstrates that engagement with museum artefacts, contemporary artworks, and their makers can yield important insights for anthropology, which are not achievable by other means. At the same time it considers the difficulties and ambiguities involved in reaching consensus between groups with divergent agendas. Interest among museum practitioners in what indigenous artists can offer museums is explored in relation to the increasing need for museums to demonstrate their social relevance., DE, [SC: 0.00], Neuware, gewerbliches Angebot, 222x152x18 mm, 188, [GW: 307g], PayPal, offene Rechnung, Banküberweisung, Internationaler Versand

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Grounded in a detailed study of artistic practice surrounding the development of two exhibitions, one at the Museum of Archaeology and Anthropology (Cambridge) and the other at the Nordiska Museet (the Nordic Museum, Stockholm), this book examines how indigenous artists and artisans challenge common assumptions about cultural continuity and authenticity through their work. In contrast to the majority of works on this theme, the author focuses on European institutions which have developed distinct ways of engaging with indigenous communities from those in North America and the Pacific. The research demonstrates that engagement with museum artefacts, contemporary artworks, and their makers can yield important insights for anthropology, which are not achievable by other means. At the same time it considers the difficulties and ambiguities involved in reaching consensus between groups with divergent agendas. Interest among museum practitioners in what indigenous artists can offer museums is explored in relation to the increasing need for museums to demonstrate their social relevance. Indigeneity, collaboration, and artistic practice in museums Buch (fremdspr.) Bücher>Fremdsprachige Bücher>Englische Bücher, VDM

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Anthropology in a glass case

Grounded in a detailed study of artistic practice surrounding the development of two exhibitions, one at the Museum of Archaeology and Anthropology (Cambridge) and the other at the Nordiska Museet (the Nordic Museum, Stockholm), this book examines how indigenous artists and artisans challenge common assumptions about cultural continuity and authenticity through their work. In contrast to the majority of works on this theme, the author focuses on European institutions which have developed distinct ways of engaging with indigenous communities from those in North America and the Pacific. The research demonstrates that engagement with museum artefacts, contemporary artworks, and their makers can yield important insights for anthropology, which are not achievable by other means. At the same time it considers the difficulties and ambiguities involved in reaching consensus between groups with divergent agendas. Interest among museum practitioners in what indigenous artists can offer museums is explored in relation to the increasing need for museums to demonstrate their social relevance.

Detailangaben zum Buch - Anthropology in a glass case


EAN (ISBN-13): 9783639286953
ISBN (ISBN-10): 3639286952
Gebundene Ausgabe
Taschenbuch
Erscheinungsjahr: 2010
Herausgeber: VDM Verlag
188 Seiten
Gewicht: 0,296 kg
Sprache: eng/Englisch

Buch in der Datenbank seit 22.06.2008 07:13:18
Buch zuletzt gefunden am 29.04.2018 07:49:10
ISBN/EAN: 9783639286953

ISBN - alternative Schreibweisen:
3-639-28695-2, 978-3-639-28695-3


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