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Interpretation of Beethoven's Fidelio or Leonore and four different overtures - Myunghwa Jang
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Myunghwa Jang:
Interpretation of Beethoven's Fidelio or Leonore and four different overtures - neues Buch

12, ISBN: 9783640773695

ID: 166819783640773695

Research paper from the year 2010 in the subject Sociology - Media, Art, Music, The University of Malaya, language: English, abstract: Written with librettist, Joseph von Sonnleithner, Beethoven's first version was divided into three acts in the style of a German Singspiel. In a singspiel, a fresh start has to be made after every spoken interruption. Fidelio was first performed on November 20, 1805 after being delayed due to issues with the censors. The opera opened to a small audience and negat Research paper from the year 2010 in the subject Sociology - Media, Art, Music, The University of Malaya, language: English, abstract: Written with librettist, Joseph von Sonnleithner, Beethoven's first version was divided into three acts in the style of a German Singspiel. In a singspiel, a fresh start has to be made after every spoken interruption. Fidelio was first performed on November 20, 1805 after being delayed due to issues with the censors. The opera opened to a small audience and negative reviews. A year later Beethoven attempted a revision of Fidelio for the same theatre. Due to a change in management Beethoven was presented with a new librettist by the name of Stephan von Breuning. After a great deal of struggle, a very reluctant Beethoven agreed to a much more condensed and concise version of the opera. The newly revised version was performed on May 29, 1806. Again the audience was not Beethoven's ideal audience and the show failed once again. After reading a refined libretto by Georg Friedrich Treitschke, Beethoven agreed the revival but insisted on a complete revision in which he virtually started over. Nearly every number was altered in some fashion. The third and final version of the opera opened with great success on May 23, 1814. It took Beethoven over a decade to complete his only opera. Throughout the many revisions he produced four different overtures. The first, now known as Leonore #2 was written for the opera's premiere in 1805. Because some sections proved to be too difficult Beethoven began reworking the overture for the opera's revival in 1806. The new version became known as Leonore #3. Beethoven's final revision composed for the 1814. Production was called the Fidelio Overture. After his death a fourth overture was found. Entitled Leonore #1 it is believed he either wrote it first or for a production of Fidelio in Prague that never happened. Leonore #3 is often played between the two scenes in Act 2. However, many critics such as Henry Popular Culture, Cultural Studies, Interpretation of Beethoven's Fidelio or Leonore and four different overtures~~ Myunghwa Jang~~Popular Culture~~Cultural Studies~~9783640773695, en, Interpretation of Beethoven's Fidelio or Leonore and four different overtures, Myunghwa Jang, 9783640773695, GRIN Verlag, 12/09/2010, , , , GRIN Verlag, 12/09/2010

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Interpretation of Beethoven´s Fidelio or Leonore and four different overtures - Myunghwa Jang
Vergriffenes Buch, derzeit bei uns nicht verfügbar.
(*)
Myunghwa Jang:
Interpretation of Beethoven´s Fidelio or Leonore and four different overtures - neues Buch

2010, ISBN: 9783640773695

ID: 689203429

Research Paper (undergraduate) from the year 2010 in the subject Sociology - Media, Art, Music, The University of Malaya, language: English, abstract: Written with librettist, Joseph von Sonnleithner, Beethovens first version was divided into three acts in the style of a German Singspiel. In a singspiel, a fresh start has to be made after every spoken interruption. Fidelio was first performed on November 20, 1805 after being delayed due to issues with the censors. The opera opened to a small audience and negative reviews. A year later Beethoven attempted a revision of Fidelio for the same theatre. Due to a change in management Beethoven was presented with a new librettist by the name of Stephan von Breuning. After a great deal of struggle, a very reluctant Beethoven agreed to a much more condensed and concise version of the opera. The newly revised version was performed on May 29, 1806. Again the audience was not Beethovens ideal audience and the show failed once again. After reading a refined libretto by Georg Friedrich Treitschke, Beethoven agreed the revival but insisted on a complete revision in which he virtually started over. Nearly every number was altered in some fashion. The third and final version of the opera opened with great success on May 23, 1814. It took Beethoven over a decade to complete his only opera. Throughout the many revisions he produced four different overtures. The first, now known as Leonore #2 was written for the operas premiere in 1805. Because some sections proved to be too difficult Beethoven began reworking the overture for the operas revival in 1806. The new version became known as Leonore #3. Beethovens final revision composed for the 1814. Production was called the Fidelio Overture. After his death a fourth overture was found. Entitled Leonore #1 it is believed he either wrote it first or for a production of Fidelio in Prague that never happened. Leonore #3 is often played between the two scenes in Act 2. However, many critics such as Henry W. Simon consider this practice to be abhorrently inartistic due to the dramatic nature of the piece. Research Paper (undergraduate) from the year 2010 in the subject Sociology - Media, Art, Music, The University of Malaya, language: English, abstract: Written with librettist, Joseph von Sonnleithner, Beethoven’s first version was divided into three acts in the style of a German Singspiel. In a singspiel, a fresh start has to be made after ... eBooks > Fremdsprachige eBooks > Englische eBooks > Sach- & Fachthemen PDF 09.12.2010 eBook, GRIN Publishing, .201

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Interpretation of Beethoven´s Fidelio or Leonore and four different overtures - Myunghwa Jang
Vergriffenes Buch, derzeit bei uns nicht verfügbar.
(*)
Myunghwa Jang:
Interpretation of Beethoven´s Fidelio or Leonore and four different overtures - neues Buch

2010, ISBN: 9783640773695

ID: 689203429

Research paper from the year 2010 in the subject Sociology - Media, Art, Music, The University of Malaya, language: English, abstract: Written with librettist, Joseph von Sonnleithner, Beethovens first version was divided into three acts in the style of a German Singspiel. In a singspiel, a fresh start has to be made after every spoken interruption. Fidelio was first performed on November 20, 1805 after being delayed due to issues with the censors. The opera opened to a small audience and negative reviews. A year later Beethoven attempted a revision of Fidelio for the same theatre. Due to a change in management Beethoven was presented with a new librettist by the name of Stephan von Breuning. After a great deal of struggle, a very reluctant Beethoven agreed to a much more condensed and concise version of the opera. The newly revised version was performed on May 29, 1806. Again the audience was not Beethovens ideal audience and the show failed once again. After reading a refined libretto by Georg Friedrich Treitschke, Beethoven agreed the revival but insisted on a complete revision in which he virtually started over. Nearly every number was altered in some fashion. The third and final version of the opera opened with great success on May 23, 1814. It took Beethoven over a decade to complete his only opera. Throughout the many revisions he produced four different overtures. The first, now known as Leonore #2 was written for the operas premiere in 1805. Because some sections proved to be too difficult Beethoven began reworking the overture for the operas revival in 1806. The new version became known as Leonore #3. Beethovens final revision composed for the 1814. Production was called the Fidelio Overture. After his death a fourth overture was found. Entitled Leonore #1 it is believed he either wrote it first or for a production of Fidelio in Prague that never happened. Leonore #3 is often played between the two scenes in Act 2. However, many critics such as Henry W. Simon consider this practice to be abhorrently inartistic due to the dramatic nature of the piece. Research paper from the year 2010 in the subject Sociology - Media, Art, Music, The University of Malaya, language: English, abstract: Written with librettist, Joseph von Sonnleithner, Beethoven’s first version was divided into three acts in the style of a German Singspiel. In a singspiel, a fresh start has to be made after every spoken ... eBooks > Fremdsprachige eBooks > Englische eBooks > Sach- & Fachthemen PDF 09.12.2010 eBook, GRIN, .201

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Interpretation of Beethoven's Fidelio or Leonore and four different overtures - Myunghwa Jang
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Myunghwa Jang:
Interpretation of Beethoven's Fidelio or Leonore and four different overtures - Erstausgabe

2010, ISBN: 9783640773695

ID: 25110575

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Interpretation of Beethoven's Fidelio or Leonore and four different overtures - Myunghwa Jang
Vergriffenes Buch, derzeit bei uns nicht verfügbar.
(*)
Myunghwa Jang:
Interpretation of Beethoven's Fidelio or Leonore and four different overtures - Erstausgabe

2010, ISBN: 9783640773695

ID: 25110575

[ED: 1], Auflage, eBook Download (EPUB,PDF), eBooks, [PU: GRIN Verlag]

Neues Buch Lehmanns.de
Versandkosten:Download sofort lieferbar, , Versandkostenfrei innerhalb der BRD (EUR 0.00)
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Details zum Buch
Interpretation of Beethoven´s Fidelio or Leonore and four different overtures
Autor:

Jang, Myunghwa

Titel:

Interpretation of Beethoven´s Fidelio or Leonore and four different overtures

ISBN-Nummer:

Detailangaben zum Buch - Interpretation of Beethoven´s Fidelio or Leonore and four different overtures


EAN (ISBN-13): 9783640773695
ISBN (ISBN-10): 3640773691
Erscheinungsjahr: 2010
Herausgeber: GRIN Verlag

Buch in der Datenbank seit 27.12.2007 01:52:46
Buch zuletzt gefunden am 03.06.2017 18:34:20
ISBN/EAN: 9783640773695

ISBN - alternative Schreibweisen:
3-640-77369-1, 978-3-640-77369-5


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