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A Critical Discussion of some of the Main Shifts That Have Occurred in Relation to Visual Representation in the Wake of the Events of 9/11 and the Sub - Sarah Doerfel
Vergriffenes Buch, derzeit bei uns nicht verfügbar.
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Sarah Doerfel:
A Critical Discussion of some of the Main Shifts That Have Occurred in Relation to Visual Representation in the Wake of the Events of 9/11 and the Sub - neues Buch

2013, ISBN: 9783656368397

ID: 671886693

Essay from the year 2010 in the subject Art - Photography and Film, grade: 61, University of Westminster (Media, Arts and Design), course: Photography and Visual Culture , language: English, abstract: The events of 9/11 shocked people all over the world and as a political consequence the ´war on terror´ was established. A ´public trauma´ emerged after the unexpected attacks because they made clear how near the unknown but also continuing threat of terrorism is. An extraordinary situation took place when people world wide felt shocked and directly targeted by the attacks. The exploding demand on visual media which dealt with the issue was the expression of a new function in the wake of the events: Visual representation had to assume the responsibility of substituting for the essential act of ´bearing witness´ to help the public with handling trauma and grief (Zelizer, 2002). Fighting a war against an unknown enemy - ´the terror´ or ´the evil´ - was a historically unprecedented situation. People were frightened and many wanted to find somebody to blame for the attacks to feel safe again; the reaction of the government to attack Afghanistan found support although the justification for the attacks would be proven wrong later. But the dimension of cruelty of this war and in the American prison Abu Ghraib towards alleged terrorists caused another public shock after the limited imagery was published. Together, these two events and their subsequent public traumas caused two very contrasting consecutive world wide moods towards the US government. In retrospect the events are said to mark a change within visual representation, particularly the representation of trauma. One of the main shifts in visual representation in the wake of these crises was that the focus moved towards the public. ´´This was curious, for among photojournalists the idea of using images to draw from and upon the public rather than to depict the events being witnessed was antithetical to what good journalism is supposed to do´´ (Zelizer, 2002, p.48). A Critical Discussion of some of the Main Shifts That Have Occurred in Relation to Visual Representation in the Wake of the Events of 9/11 and the Sub Bücher > Fremdsprachige Bücher > Englische Bücher Geheftet 08.02.2013 Buch (dtsch.), GRIN Publishing, .201

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A Critical Discussion of some of the Main Shifts That Have Occurred in Relation to Visual Representation in the Wake of the Events of 9/11 and the Sub - Sarah Doerfel
Vergriffenes Buch, derzeit bei uns nicht verfügbar.
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Sarah Doerfel:
A Critical Discussion of some of the Main Shifts That Have Occurred in Relation to Visual Representation in the Wake of the Events of 9/11 and the Sub - neues Buch

2010, ISBN: 9783656368397

ID: 118945439

Essay from the year 2010 in the subject Art - Photography and Film, grade: 61, University of Westminster (Media, Arts and Design), course: Photography and Visual Culture , language: English, abstract: The events of 9/11 shocked people all over the world and as a political consequence the ´war on terror´ was established. A ´public trauma´ emerged after the unexpected attacks because they made clear how near the unknown but also continuing threat of terrorism is. An extraordinary situation took place when people world wide felt shocked and directly targeted by the attacks. The exploding demand on visual media which dealt with the issue was the expression of a new function in the wake of the events: Visual representation had to assume the responsibility of substituting for the essential act of ´bearing witness´ to help the public with handling trauma and grief (Zelizer, 2002). Fighting a war against an unknown enemy - ´the terror´ or ´the evil´ - was a historically unprecedented situation. People were frightened and many wanted to find somebody to blame for the attacks to feel safe again; the reaction of the government to attack Afghanistan found support although the justification for the attacks would be proven wrong later. But the dimension of cruelty of this war and in the American prison Abu Ghraib towards alleged terrorists caused another public shock after the limited imagery was published. Together, these two events and their subsequent public traumas caused two very contrasting consecutive world wide moods towards the US government. In retrospect the events are said to mark a change within visual representation, particularly the representation of trauma. One of the main shifts in visual representation in the wake of these crises was that the focus moved towards the public. ´´This was curious, for among photojournalists the idea of using images to draw from and upon the public rather than to depict the events being witnessed was antithetical to what good journalism is supposed to do´´ (Zelizer, 2002, p.48). A Critical Discussion of some of the Main Shifts That Have Occurred in Relation to Visual Representation in the Wake of the Events of 9/11 and the Sub Buch (dtsch.) Bücher>Fremdsprachige Bücher>Englische Bücher, GRIN Publishing

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A Critical Discussion of some of the Main Shifts That Have Occurred in Relation to Visual Representation in the Wake of the Events of 9/11 and the Sub - Sarah Doerfel
Vergriffenes Buch, derzeit bei uns nicht verfügbar.
(*)
Sarah Doerfel:
A Critical Discussion of some of the Main Shifts That Have Occurred in Relation to Visual Representation in the Wake of the Events of 9/11 and the Sub - neues Buch

2013, ISBN: 9783656368397

ID: 135329552

Essay from the year 2010 in the subject Art - Photography and Film, grade: 61, University of Westminster (Media, Arts and Design), course: Photography and Visual Culture , language: English, abstract: The events of 9/11 shocked people all over the world and as a political consequence the ´war on terror´ was established. A ´public trauma´ emerged after the unexpected attacks because they made clear how near the unknown but also continuing threat of terrorism is. An extraordinary situation took place when people world wide felt shocked and directly targeted by the attacks. The exploding demand on visual media which dealt with the issue was the expression of a new function in the wake of the events: Visual representation had to assume the responsibility of substituting for the essential act of ´bearing witness´ to help the public with handling trauma and grief (Zelizer, 2002). Fighting a war against an unknown enemy - ´the terror´ or ´the evil´ - was a historically unprecedented situation. People were frightened and many wanted to find somebody to blame for the attacks to feel safe again; the reaction of the government to attack Afghanistan found support although the justification for the attacks would be proven wrong later. But the dimension of cruelty of this war and in the American prison Abu Ghraib towards alleged terrorists caused another public shock after the limited imagery was published. Together, these two events and their subsequent public traumas caused two very contrasting consecutive world wide moods towards the US government. In retrospect the events are said to mark a change within visual representation, particularly the representation of trauma. One of the main shifts in visual representation in the wake of these crises was that the focus moved towards the public. ´´This was curious, for among photojournalists the idea of using images to draw from and upon the public rather than to depict the events A Critical Discussion of some of the Main Shifts That Have Occurred in Relation to Visual Representation in the Wake of the Events of 9/11 and the Sub Bücher > Fremdsprachige Bücher > Englische Bücher Geheftet 08.02.2013 Buch (dtsch.), GRIN, .201

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A Critical Discussion of some of the Main Shifts That Have Occurred in Relation to Visual Representation in the Wake of the Events of 9/11 and the Sub - Sarah Doerfel
Vergriffenes Buch, derzeit bei uns nicht verfügbar.
(*)
Sarah Doerfel:
A Critical Discussion of some of the Main Shifts That Have Occurred in Relation to Visual Representation in the Wake of the Events of 9/11 and the Sub - neues Buch

2010, ISBN: 9783656368397

ID: 117170057

Essay from the year 2010 in the subject Art - Photography and Film, grade: 61, University of Westminster (Media, Arts and Design), course: Photography and Visual Culture , language: English, abstract: The events of 9/11 shocked people all over the world and as a political consequence the ´war on terror´ was established. A ´public trauma´ emerged after the unexpected attacks because they made clear how near the unknown but also continuing threat of terrorism is. An extraordinary situation took place when people world wide felt shocked and directly targeted by the attacks. The exploding demand on visual media which dealt with the issue was the expression of a new function in the wake of the events: Visual representation had to assume the responsibility of substituting for the essential act of ´bearing witness´ to help the public with handling trauma and grief (Zelizer, 2002). Fighting a war against an unknown enemy - ´the terror´ or ´the evil´ - was a historically unprecedented situation. People were frightened and many wanted to find somebody to blame for the attacks to feel safe again; the reaction of the government to attack Afghanistan found support although the justification for the attacks would be proven wrong later. But the dimension of cruelty of this war and in the American prison Abu Ghraib towards alleged terrorists caused another public shock after the limited imagery was published. Together, these two events and their subsequent public traumas caused two very contrasting consecutive world wide moods towards the US government. In retrospect the events are said to mark a change within visual representation, particularly the representation of trauma. One of the main shifts in visual representation in the wake of these crises was that the focus moved towards the public. ´´This was curious, for among photojournalists the idea of using images to draw from and upon the public rather than to depict the events A Critical Discussion of some of the Main Shifts That Have Occurred in Relation to Visual Representation in the Wake of the Events of 9/11 and the Sub Buch (dtsch.) Bücher>Fremdsprachige Bücher>Englische Bücher, GRIN

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A Critical Discussion of some of the Main Shifts That Have Occurred in Relation to Visual Representation in the Wake of the Events of 9/11 and the Subsequent 'War on Terror' - Doerfel, Sarah
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Doerfel, Sarah:
A Critical Discussion of some of the Main Shifts That Have Occurred in Relation to Visual Representation in the Wake of the Events of 9/11 and the Subsequent 'War on Terror' - Taschenbuch

2013, ISBN: 9783656368397

[ED: Softcover], [PU: Grin Verlag], Essay from the year 2010 in the subject Art - Photography and Film, grade: 61, University of Westminster (Media, Arts and Design), course: Photography and Visual Culture , language: English, abstract: The events of 9/11 shocked people all over the world and as a political consequence the 'war on terror' was established. A 'public trauma' emerged after the unexpected attacks because they made clear how near the unknown but also continuing threat of terrorism is. An extraordinary situation took place when people world wide felt shocked and directly targeted by the attacks. The exploding demand on visual media which dealt with the issue was the expression of a new function in the wake of the events: Visual representation had to assume the responsibility of substituting for the essential act of 'bearing witness' to help the public with handling trauma and grief (Zelizer, 2002). Fighting a war against an unknown enemy - 'the terror' or 'the evil' - was a historically unprecedented situation. People were frightened and many wanted to find somebody to blame for the attacks to feel safe again the reaction of the government to attack Afghanistan found support although the justification for the attacks would be proven wrong later. But the dimension of cruelty of this war and in the American prison Abu Ghraib towards alleged terrorists caused another public shock after the limited imagery was published. Together, these two events and their subsequent public traumas caused two very contrasting consecutive world wide moods towards the US government. In retrospect the events are said to mark a change within visual representation, particularly the representation of trauma. One of the main shifts in visual representation in the wake of these crises was that the focus moved towards the public. "This was curious, for among photojournalists the idea of using images to draw from and upon the public rather than to depict the events 2013. 16 S. 210 mm Versandfertig in 3-5 Tagen, [SC: 0.00], Neuware, gewerbliches Angebot

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Details zum Buch
A Critical Discussion of some of the Main Shifts That Have Occurred in Relation to Visual Representation in the Wake of
Autor:

Doerfel, Sarah

Titel:

A Critical Discussion of some of the Main Shifts That Have Occurred in Relation to Visual Representation in the Wake of

ISBN-Nummer:

Detailangaben zum Buch - A Critical Discussion of some of the Main Shifts That Have Occurred in Relation to Visual Representation in the Wake of


EAN (ISBN-13): 9783656368397
ISBN (ISBN-10): 3656368392
Gebundene Ausgabe
Taschenbuch
Erscheinungsjahr: 2010
Herausgeber: Grin Verlag Feb 2013

Buch in der Datenbank seit 14.03.2013 02:22:08
Buch zuletzt gefunden am 28.04.2017 22:22:56
ISBN/EAN: 9783656368397

ISBN - alternative Schreibweisen:
3-656-36839-2, 978-3-656-36839-7


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