2011, ISBN: 9783761818435

Gebundene Ausgabe

Noyes Publications, 1984. 349 pp., hardcover, ex library, else text and binding clean and tight. - If you are reading this, this item is actually (physically) in our stock and ready for s… Mehr…

Noyes Publications, 1984. 349 pp., hardcover, ex library, else text and binding clean and tight. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country., Noyes Publications, 1984, 0, J.O. Patenaude, printer to the King, 1939. 48 pp., softcover, ex library, else text clean and binding tight. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country., J.O. Patenaude, printer to the King, 1939, 0, Oxford: At the Clarendon Press, 1962. 728 pp., hardcover, ex library, else text clean & binding tight. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country., Oxford: At the Clarendon Press, 1962, 0, Atlantic Biological Services for Total Eastcan Exploration, 1980. 19 pp., spiral-bound softcover, minor library markings, minor bend to covers and text, else text clean and binding tight. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country., Atlantic Biological Services for Total Eastcan Exploration, 1980, 0, London: British Museum, 1908. [60], [2] pp. plus plates, illustrations in text; ex library, original paper covered boards with cloth spine soiled and front hinge broken through, clean text but good- only. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country., London: British Museum, 1908, 0, Abellini : Typ. Pergola, 1925. 1026 pp., original cloth (hardcover), library markings, else text clean and binding tight. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country., Abellini : Typ. Pergola, 1925, 0, Abellini, 1926. 703 pp., original green cloth (hardcover), library markings, else text clean and binding tight. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country., Abellini, 1926, 0, Abellini, 1928. 733 pp., original cloth (hardcover), library markings, else text clean and binding tight. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country., Abellini, 1928, 0, NOS Culture, Practice, Repertoire, Performers: No musical instrument is as multifaceted as the guitar. Whether in classical, flamenco, blues, rock, jazz, country, or with singer-songwriters worldwide, the guitar is not only ubiquitous but often even defines the sound of the respective styles. Who doesn't automatically think of a virtuoso guitarist when thinking of rock music or flamenco? For the various genres, an almost unmanageable variety of acoustic and electric models in a wide range of forms has developed, with a number of strings ranging from four to well over twenty. Moreover, the guitar's history stretches far back into pre-Christian times. This book spans a wide range, from 4,000-year-old instruments from the Near East to the modern electric guitar, from the Renaissance and Baroque guitar and its music, through its presence in 19th- and 20th-century opera and symphony orchestras, the top ten repertoire for the concert guitar, to portraits of Andrés Segovia, Paco de Luca, Jimi Hendrix, and Bob Dylan. Illustrations, overview tables, musical examples, and interviews with guitar makers and guitarists present the complexity of this instrument and its music in a clear and engaging way. The author, Jörg Jewanski (born 1959), studied in Wuppertal, Münster, and Berlin and earned his diploma as a guitar teacher. In 1996, he received his doctorate with a dissertation on color-tone theories. Since 1979 he has been a guitar teacher at the Bochum Music School and was a lecturer in music history at the Münster University of Music between 2001 and 2009. From 1995 until its conclusion in 2008, he was an author and freelance contributor to the editorial staff of the Neue MGG (Musik in Geschichte und Gegenwart ⤠Music in History and the Present)., Barenreiter Verlag, 2011, 0<

2011, ISBN: 9783761818435

NOS Culture, Practice, Repertoire, Performers: No musical instrument is as multifaceted as the guitar. Whether in classical, flamenco, blues, rock, jazz, country, or with singer-songwrite… Mehr…

NOS Culture, Practice, Repertoire, Performers: No musical instrument is as multifaceted as the guitar. Whether in classical, flamenco, blues, rock, jazz, country, or with singer-songwriters worldwide, the guitar is not only ubiquitous but often even defines the sound of the respective styles. Who doesn't automatically think of a virtuoso guitarist when thinking of rock music or flamenco? For the various genres, an almost unmanageable variety of acoustic and electric models in a wide range of forms has developed, with a number of strings ranging from four to well over twenty. Moreover, the guitar's history stretches far back into pre-Christian times. This book spans a wide range, from 4,000-year-old instruments from the Near East to the modern electric guitar, from the Renaissance and Baroque guitar and its music, through its presence in 19th- and 20th-century opera and symphony orchestras, the top ten repertoire for the concert guitar, to portraits of Andrés Segovia, Paco de Luca, Jimi Hendrix, and Bob Dylan. Illustrations, overview tables, musical examples, and interviews with guitar makers and guitarists present the complexity of this instrument and its music in a clear and engaging way. The author, Jörg Jewanski (born 1959), studied in Wuppertal, Münster, and Berlin and earned his diploma as a guitar teacher. In 1996, he received his doctorate with a dissertation on color-tone theories. Since 1979 he has been a guitar teacher at the Bochum Music School and was a lecturer in music history at the Münster University of Music between 2001 and 2009. From 1995 until its conclusion in 2008, he was an author and freelance contributor to the editorial staff of the Neue MGG (Musik in Geschichte und Gegenwart ⤠Music in History and the Present)., Barenreiter Verlag, 2011, 0<