2001, ISBN: 9783770556045

[ED: Taschenbuch], [PU: Wilhelm Fink Verlag], Gebraucht - Sehr gut Als Mängelexemplar gekennzeichnete Retoure aus dem Handel mit mittleren Transportspuren.Der Versand erfolgt mit ordentli… Mehr…

[ED: Taschenbuch], [PU: Wilhelm Fink Verlag], Gebraucht - Sehr gut Als Mängelexemplar gekennzeichnete Retoure aus dem Handel mit mittleren Transportspuren.Der Versand erfolgt mit ordentlicher Rechnung. - Why the myth of Daedalus, the protos euretes, is connected with envy and murder The author takes as his starting point Ovid s Metamorphoses, where Daedalus envy drives him to murder his pupil and nephew Perdix. He also considers the passage of Seneca the Elder, about the painter Parrhasius and the citizen from Olynthus, that he had tortured in order to paint the agony of Prometheus. The first case is a topos of the artist s biography which implies, that the craft of the artisan was held as a guarded secret; the second is related to mimesis. The author questions what role the topos of the artist as murderer plays in text and imagery, from the Middle Ages to modern literature., DE, [SC: 0.00], leichte Gebrauchsspuren, gewerbliches Angebot, 216x135x8 mm, 60, [GW: 134g], Banküberweisung, PayPal, Internationaler Versand<

2013, ISBN: 3770556046

[EAN: 9783770556045], Gebraucht, guter Zustand, [SC: 4.0], [PU: München: Fink], KÜNSTE ; DÄDALUS KÜNSTLER MORD GESCHICHTE, KÜNSTE, BILDENDE KUNST ALLGEMEIN, LITERATUR, RHETORIK, LITERATUR… Mehr…

[EAN: 9783770556045], Gebraucht, guter Zustand, [SC: 4.0], [PU: München: Fink], KÜNSTE ; DÄDALUS KÜNSTLER MORD GESCHICHTE, KÜNSTE, BILDENDE KUNST ALLGEMEIN, LITERATUR, RHETORIK, LITERATURWISSENSCHAFT, 60 Seiten. Ein gutes und sauberes Exemplar. - Why the myth of Daedalus, the protos euretes, is connected with envy and murder? The author takes as his starting point Ovid's Metamorphoses, where Daedalus' envy drives him to murder his pupil and nephew Perdix. He also considers the passage of Seneca the Elder, about the painter Parrhasius and the citizen from Olynthus, that he had tortured in order to paint the agony of Prometheus. The first case is a topos of the artist's biography which implies, that the craft of the artisan was held as a guarded secret; the second is related to mimesis. The author questions what role the topos of the artist as murderer plays in text and imagery, from the Middle Ages to modern literature. ISBN 9783770556045 Sprache: Deutsch Gewicht in Gramm: 158 Originalklappenbroschur mikt Fadenheftung., Books<

2013, ISBN: 3770556046

[EAN: 9783770556045], Gebraucht, guter Zustand, [PU: München: Fink], KÜNSTE ; DÄDALUS KÜNSTLER MORD GESCHICHTE, KÜNSTE, BILDENDE KUNST ALLGEMEIN, LITERATUR, RHETORIK, LITERATURWISSENSCHAF… Mehr…

[EAN: 9783770556045], Gebraucht, guter Zustand, [PU: München: Fink], KÜNSTE ; DÄDALUS KÜNSTLER MORD GESCHICHTE, KÜNSTE, BILDENDE KUNST ALLGEMEIN, LITERATUR, RHETORIK, LITERATURWISSENSCHAFT, 60 Seiten. Ein gutes und sauberes Exemplar. - Why the myth of Daedalus, the protos euretes, is connected with envy and murder? The author takes as his starting point Ovid's Metamorphoses, where Daedalus' envy drives him to murder his pupil and nephew Perdix. He also considers the passage of Seneca the Elder, about the painter Parrhasius and the citizen from Olynthus, that he had tortured in order to paint the agony of Prometheus. The first case is a topos of the artist's biography which implies, that the craft of the artisan was held as a guarded secret; the second is related to mimesis. The author questions what role the topos of the artist as murderer plays in text and imagery, from the Middle Ages to modern literature. ISBN 9783770556045 Sprache: Deutsch Gewicht in Gramm: 158 Originalklappenbroschur mikt Fadenheftung., Books<