Schauspieler außer sich - Taschenbuch

EAN (ISBN-13): 9783837616767
ISBN (ISBN-10): 3837616762
Gebundene Ausgabe
Taschenbuch
Erscheinungsjahr: 2011
Herausgeber: transcript
160 Seiten
Gewicht: 0,237 kg
Sprache: ger/Deutsch

Buch in der Datenbank seit 2007-07-20T10:44:30+02:00 (Berlin)
Buch zuletzt gefunden am 2024-12-23T19:17:29+01:00 (Berlin)
ISBN/EAN: 9783837616767

ISBN - alternative Schreibweisen:
3-8376-1676-2, 978-3-8376-1676-7
Alternative Schreibweisen und verwandte Suchbegriffe:
Autor des Buches: gränzer, granz, susanne valerie granzer
Titel des Buches: recherche, schauspieler außer sich, feminin, kunst sich, féminin

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Daten vom Verlag:

Autor/in: Susanne Valerie Granzer
Titel: Theater; Schauspieler außer sich; Granzer, Schauspieler außer sich - Exponiertheit und performative Kunst. Eine feminine Recherche; Exponiertheit und performative Kunst. Eine feminine Recherche
Verlag: transcript; transcript
162 Seiten
Erscheinungsjahr: 2011-03-14
Gedruckt / Hergestellt in Deutschland.
Gewicht: 0,238 kg
Sprache: Deutsch
20,40 € (DE)

BC; B131; Kartoniert; PERFORMING ARTS / Theater / History & Criticism; Theatre studies; Hardcover, Softcover / Philosophie/Allgemeines, Lexika; Recreational and performing arts; Theaterwissenschaft; Verstehen; SOCIAL SCIENCE / Popular Culture; Sociology; Cultural studies; Schauspieler; Theatre; Theater; Philosophy; Philosophie; Body; Theatre Studies; Korporale Performanz; Arts; Exponiertheit; Körper; Philosophy of Culture; Theaterwissenschaft; Kunst; Kulturphilosophie; Culture and institutions; Stage presentations; Social sciences; Soziologie; EA; E107

Why do you want to be an actor?" - Between philosophical reflexions and vivid narrative about the art of acting this text addresses scholars and practitioners alike.The actor as protagonist venturing on his utmost limits is in the center of the book. If he succeeds, he himself will become the demonstrative site of the fragile exposure of humankind seeking a mask in him - in plain view and hearing of others. Such a being-with-out-oneself would amount to the artistic breath-turn of performative art. 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wollen Sie Schauspieler werden?« – Zwischen philosophischen Reflexionen und plastisch erzählender Form über die Kunst des Schauspielens wendet sich dieser Text an Wissenschaftler_innen und Praktiker_innen gleichermaßen.Im Fokus des Buches steht der Schauspieler als Akteur, der sich in sein Äußerstes riskiert. Glückt ihm das, wird er selbst zur anschaulichen Stätte für das fragile Exponiertsein des Menschen, das sich in ihm eine Maske sucht – vor den Augen und den Ohren Anderer.Wäre solches Außer-sich-Sein nicht die musische Atemwende performativer Kunst?";}}}i:1;a:2:{s:4:"NAME";s:11:"TextContent";s:5:"CHILD";a:3:{i:0;a:2:{s:4:"NAME";s:8:"TextType";s:5:"CDATA";s:2:"05";}i:1;a:2:{s:4:"NAME";s:15:"ContentAudience";s:5:"CDATA";s:2:"00";}i:2;a:3:{s:4:"NAME";s:4:"Text";s:5:"ATTRS";a:2:{s:10:"textformat";s:2:"06";s:8:"language";s:3:"eng";}s:5:"CDATA";s:503:"Why do you want to be an actor?" - Between philosophical reflexions and vivid narrative about the art of acting this text addresses scholars and practitioners alike.The actor as protagonist venturing on his utmost limits is in the center of the book. If he succeeds, he himself will become the demonstrative site of the fragile exposure of humankind seeking a mask in him - in plain view and hearing of others. Such a being-with-out-oneself would amount to the artistic breath-turn of performative art.";}}}i:2;a:2:{s:4:"NAME";s:11:"TextContent";s:5:"CHILD";a:3:{i:0;a:2:{s:4:"NAME";s:8:"TextType";s:5:"CDATA";s:2:"02";}i:1;a:2:{s:4:"NAME";s:15:"ContentAudience";s:5:"CDATA";s:2:"00";}i:2;a:3:{s:4:"NAME";s:4:"Text";s:5:"ATTRS";a:1:{s:10:"textformat";s:2:"06";}s:5:"CDATA";s:198:"Warum wollen Sie Schauspieler werden? Vielleicht, weil der Schauspieler qua Profession die Exponiertheit des menschlichen Daseins zur Schau stellt. Ein Buch über das Äußerste performativer Kunst.";}}}i:3;a:2:{s:4:"NAME";s:11:"TextContent";s:5:"CHILD";a:3:{i:0;a:2:{s:4:"NAME";s:8:"TextType";s:5:"CDATA";s:2:"01";}i:1;a:2:{s:4:"NAME";s:15:"ContentAudience";s:5:"CDATA";s:2:"00";}i:2;a:3:{s:4:"NAME";s:4:"Text";s:5:"ATTRS";a:1:{s:10:"textformat";s:2:"06";}s:5:"CDATA";s:1905:"... mit Susanne Valerie Granzer1. »Bücher, die die Welt nicht braucht.« Warum trifft das auf Ihr Buch nicht zu?... weil in »Schauspieler außer sich« der Versuch vorliegt, aus der Perspektive einer Schauspielerin zu reflektieren, was im Spiel auf der Bühne geschieht. Es macht einen großen Unterschied, ob das Spiel auf der Bühne von unten, von der theoretischen Perspektive des Zuschauerraumes, oder von der eines Akteurs beschrieben wird: Einmal ist man dem Geschehen auf der Bühne physisch-sinnlich ausgesetzt und einmal bleibt man in der Distanz reflexiver Betrachtungen.2. Welche neuen Perspektiven eröffnet Ihr Buch?Schauspieler werden in diesem Buch als eine Art Fabeltier der Wahrheit interpretiert, die im Spiel mit der Wahrheit unvermutet in ein Pathos des Begreifens (nous pathetikos) gestürzt werden können, in dem ihnen die Welt anders aufgehen kann, als wir es alltäglich gewohnt sind: Im Sinne einer Wiedererinnerung und Maß-Gabe an das, was wir unserer Existenz nach einmal geworden sein könnten.3. Welche Bedeutung kommt dem Thema in den aktuellen Forschungsdebatten zu?Das Ereignis des Performativen im Prozess des Spielens besteht dieser Recherche nach in einer bewussten Übernahme der kritischen Umarbeitung der je eigenen Archive, die sich in unsere Körper eingeschrieben haben – historisch wie persönlich. Dieses Pathos, diese passio einzugehen, wäre die Verantwortung und das Ethos der Schauspieler ihrer besonderen Begabung gegenüber. Sie wüssten sich dem Existenzial der Wiederholung als einer Kategorie der Zukunft versprochen, als einer immer im Werden bleibenden Möglichkeit.4. Mit wem würden Sie Ihr Buch am liebsten diskutieren?Mit allen, denen die Welt noch eine fiktives Versprechen sein darf.5. Ihr Buch in einem Satz:Ethik und Ästhetik werden on stage im Miteinander mit Anderen vollzogen; Nähe ergibt sich hier aus wechselseitiger Porösität.";}}}i:4;a:2:{s:4:"NAME";s:11:"TextContent";s:5:"CHILD";a:5:{i:0;a:2:{s:4:"NAME";s:8:"TextType";s:5:"CDATA";s:2:"06";}i:1;a:2:{s:4:"NAME";s:15:"ContentAudience";s:5:"CDATA";s:2:"00";}i:2;a:3:{s:4:"NAME";s:4:"Text";s:5:"ATTRS";a:1:{s:10:"textformat";s:2:"06";}s:5:"CDATA";s:472:"»Erfahrungen [der Autorin] fließen in den Text ein, der aus der Praxis berichtet, diese reflektiert und an der Theorie prüft. 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9783795796785 Paul Hindemith Edition Schott; Sonate 4 Hörner. Stimmensatz. 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Der einst als Bürgerschreck Verschriene fand in den 20er Jahren zur Neuen Sachlichkeit und gelangte schließlich zur Skepsis gegenüber einem als hemmungslos empfundenen Fortschrittsdenken der jungen Komponistengeneration. Sein spätes Ideal eine