2014, ISBN: 862efb1c5c58355d0a2bfc1cc3660fe9

Paris: Editions Bessard, , 2011. Rilegato mezza tela, custodia (half-cloth binding, slip-case). Perfetto (Mint). Fotografie in bianco e nero e a colori e riproduzione di testi e appunti… Mehr…

Paris: Editions Bessard, , 2011. Rilegato mezza tela, custodia (half-cloth binding, slip-case). Perfetto (Mint). Fotografie in bianco e nero e a colori e riproduzione di testi e appunti autografi di Max Pam. 8vo. pp. 90. Perfetto (Mint). Prima edizione di 250 copie firmate dall'Autore. Libri fotografici 3 [Parr, Badger, 2014] Parr Martin, Badger Gerry, The Photobook: A History III. London, Phaidon 2014. "Diario di viaggio (completo di schizzi, appunti ed ephemera) compiuto da Max Pam in Yemen nel 1993 e durato tre mesi. Particolare attenzione è dedicata al mese di Ramadan, durante il quale l'Artista giunse nel Paese. Il tour ebbe inizio dalla capitale Sanaa per poi proseguire nella bellissima e aspra parte interna dello Yemen. Le migliori immagini del libro catturano il trambusto della vita di strada con l'avvicinarsi del tramonto, quando la gente si prepara a terminare il digiuno quotidiano con la cena. Le persone sembrano saltare fuori dalla pagina verso lo spettatore: la vita qui, nonostante le difficoltà e l'estrema povertà, è vissuta soprattutto per strada - almeno in determinate ore del giorno, quando il sole è calato" (Parr, Badger, 2014; p. 181)., Editions Bessard, 2011, 0, 2004. Cologne, Schaden, 2004. 4to. (242 x 194 mm.). Photographically illustrated padded covers, without dustjacket, as issued; pp. [32], 42 colour photographs, including 1 gatefold; fine. Signed in pencil by the photographer to the recto of the first image. First and only edition. The photographer Cuny Janssen travelled to Macedonia in the wake of the conflict between that country and Albanian rebels over the redrawing of Macedonia's boundaries. Gerry Badger and Martin Parr note in The Photobook: A History Volume II. , "This is a subtle book about the aftermath of conflict. Along with the children's portraits on each facing page Janssen places photographs of the Macedonian landscape, so that the book can be read from either orientation. Like the portraits the landscapes are neutral in tone, but not cold and distant. Although this is a quiet, thoughtful piece of work, it is shot through with irony. These children, united in seriousness, may - probably will - grow up hating those from a different ethnic background tainted by the prejudices of their parents. The landscapes of rock, field and forest, so lyrical and peaceful today, could be fought over once more tomorrow". [p.87]. An exhibition of these photographs was held at Museum Het Vlakhof, Nijmegen, the Netherlands, between February and May 2005. PARR, Martin and Gerry BADGER. The Photobook: A History. Vol II. p. 87., 2004, 0<

2004, ISBN: 862efb1c5c58355d0a2bfc1cc3660fe9

[SC: 11.69], Cologne, Schaden, 2004. 4to. (242 x 194 mm.). Photographically illustrated padded covers, without dustjacket, as issued; pp. [32], 42 colour photographs, including 1 gatefold… Mehr…

[SC: 11.69], Cologne, Schaden, 2004. 4to. (242 x 194 mm.). Photographically illustrated padded covers, without dustjacket, as issued; pp. [32], 42 colour photographs, including 1 gatefold; fine. Signed in pencil by the photographer to the recto of the first image. First and only edition. The photographer Cuny Janssen travelled to Macedonia in the wake of the conflict between that country and Albanian rebels over the redrawing of Macedonia's boundaries. Gerry Badger and Martin Parr note in The Photobook: A History Volume II. , "This is a subtle book about the aftermath of conflict. Along with the children's portraits on each facing page Janssen places photographs of the Macedonian landscape, so that the book can be read from either orientation. … Like the portraits the landscapes are neutral in tone, but not cold and distant. Although this is a quiet, thoughtful piece of work, it is shot through with irony. These children, united in seriousness, may - probably will - grow up hating those from a different ethnic background tainted by the prejudices of their parents. The landscapes of rock, field and forest, so lyrical and peaceful today, could be fought over once more tomorrow". [p.87]. An exhibition of these photographs was held at Museum Het Vlakhof, Nijmegen, the Netherlands, between February and May 2005. PARR, Martin and Gerry BADGER. The Photobook: A History. Vol II. p. 87.<

2004, ISBN: 862efb1c5c58355d0a2bfc1cc3660fe9

[SC: 11.63], Cologne, Schaden, 2004. 4to. (242 x 194 mm.). Photographically illustrated padded covers, without dustjacket, as issued; pp. [32], 42 colour photographs, including 1 gatefold… Mehr…

[SC: 11.63], Cologne, Schaden, 2004. 4to. (242 x 194 mm.). Photographically illustrated padded covers, without dustjacket, as issued; pp. [32], 42 colour photographs, including 1 gatefold; fine. Signed in pencil by the photographer to the recto of the first image. First and only edition. The photographer Cuny Janssen travelled to Macedonia in the wake of the conflict between that country and Albanian rebels over the redrawing of Macedonia's boundaries. Gerry Badger and Martin Parr note in The Photobook: A History Volume II. , "This is a subtle book about the aftermath of conflict. Along with the children's portraits on each facing page Janssen places photographs of the Macedonian landscape, so that the book can be read from either orientation. … Like the portraits the landscapes are neutral in tone, but not cold and distant. Although this is a quiet, thoughtful piece of work, it is shot through with irony. These children, united in seriousness, may - probably will - grow up hating those from a different ethnic background tainted by the prejudices of their parents. The landscapes of rock, field and forest, so lyrical and peaceful today, could be fought over once more tomorrow". [p.87]. An exhibition of these photographs was held at Museum Het Vlakhof, Nijmegen, the Netherlands, between February and May 2005. PARR, Martin and Gerry BADGER. The Photobook: A History. Vol II. p. 87.<

2004, ISBN: 862efb1c5c58355d0a2bfc1cc3660fe9

[SC: 11.61], Cologne, Schaden, 2004. 4to. (242 x 194 mm.). Photographically illustrated padded covers, without dustjacket, as issued; pp. [32], 42 colour photographs, including 1 gatefold… Mehr…

[SC: 11.61], Cologne, Schaden, 2004. 4to. (242 x 194 mm.). Photographically illustrated padded covers, without dustjacket, as issued; pp. [32], 42 colour photographs, including 1 gatefold; fine. Signed in pencil by the photographer to the recto of the first image. First and only edition. The photographer Cuny Janssen travelled to Macedonia in the wake of the conflict between that country and Albanian rebels over the redrawing of Macedonia's boundaries. Gerry Badger and Martin Parr note in The Photobook: A History Volume II. , "This is a subtle book about the aftermath of conflict. Along with the children's portraits on each facing page Janssen places photographs of the Macedonian landscape, so that the book can be read from either orientation. … Like the portraits the landscapes are neutral in tone, but not cold and distant. Although this is a quiet, thoughtful piece of work, it is shot through with irony. These children, united in seriousness, may - probably will - grow up hating those from a different ethnic background tainted by the prejudices of their parents. The landscapes of rock, field and forest, so lyrical and peaceful today, could be fought over once more tomorrow". [p.87]. An exhibition of these photographs was held at Museum Het Vlakhof, Nijmegen, the Netherlands, between February and May 2005. PARR, Martin and Gerry BADGER. The Photobook: A History. Vol II. p. 87.<