Al Taylor. Drawings / Zeichnungen. Staatliche Graphische Sammlung München, Pinakothek der Moderne, Munich, April 6 - June 11, 2006. - gebrauchtes Buch

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ISBN/EAN: 9783775718097

ISBN - alternative Schreibweisen:
3-7757-1809-5, 978-3-7757-1809-7
Alternative Schreibweisen und verwandte Suchbegriffe:
Autor des Buches: michael benjamin, michael schwarz, michael semff, taylor, joseph beuys, michael sommer, graphische sammlung münchen
Titel des Buches: staatliche, drawings, pinakothek moderne münchen, katalog pinakothek, katalog der sammlung, taylor, buch zur ausstellung, moderne 2006, drawing, mann, zeichnung, munich, amerikanische graphik, graphik der gegenwart, pinakothek der moderne malerei, werkverzeichnis graphische, hug zeichnungen, moderne maler, exhibition american art, modern contemporary, gabriel münchen, michael münchen

Daten vom Verlag:

Autor/in: Michael Semff
Titel: Al Taylor - Zeichnungen
Verlag: Hatje Cantz Verlag
Erscheinungsjahr: 2006-04-15
DE
Gedruckt / Hergestellt in Deutschland.
Gewicht: 1,091 kg
Sprache: Englisch
34,00 € (DE)
35,00 € (AT)
42,90 CHF (CH)
Not available (reason unspecified)
220mm x 277mm x 250mm

BB; B315; Hardcover, Softcover / Kunst; Kunst: allgemeine Themen; Künste, Bildende Kunst allgemein; Kunst; nach; 1945; Zeichnung

In der vorliegenden Monografie mit einem Aufsatz von Michael Semff, vielen bisher unveröffentlichten Textdokumenten des Künstlers und einer ausführlichen Biografie wird das zeichnerische Werk Al Taylors erstmals umfassend in den Mittelpunkt gerückt.

In der vorliegenden Monografie mit einem Aufsatz von Michael Semff, vielen bisher unveröffentlichten Textdokumenten des Künstlers und einer ausführlichen Biografie wird das zeichnerische Werk Al Taylors erstmals umfassend in den Mittelpunkt gerückt.

American artist Al Taylor, who was born in 1948, considered himself more of a painter and draftsman than a sculptor. His European breakthrough was triggered by a series of exhibitions in the early nineties. In less than twenty-five years, he produced an extraordinarily diverse range of very personal and self-willed works, which following his early death in 1999 have been put into new perspective. In addition to his three-dimensional works, Taylor’s drawings are at the center of attention. His inspiration often came from the observation of banal objects and curious situations, and his works reflect his sensitivity to the bizarre and a deep humor which is based on the fact that often the most trivial occasions can be a vehicle to extremely “serious” experiments. Few artists of his generation had a similar range of expressive means, in which sensuality and discipline, energy and control are united.

Exhibition schedule: Pinakothek der Moderne, Munich, April 6–June 11, 2006

American artist Al Taylor, who was born in 1948, considered himself more of a painter and draftsman than a sculptor. His European breakthrough was triggered by a series of exhibitions in the early nineties. In less than twenty-five years, he produced an extraordinarily diverse range of very personal and self-willed works, which following his early death in 1999 have been put into new perspective. In addition to his three-dimensional works, Taylor’s drawings are at the center of attention. His inspiration often came from the observation of banal objects and curious situations, and his works reflect his sensitivity to the bizarre and a deep humor which is based on the fact that often the most trivial occasions can be a vehicle to extremely “serious” experiments. Few artists of his generation had a similar range of expressive means, in which sensuality and discipline, energy and control are united.

Exhibition schedule: Pinakothek der Moderne, Munich, April 6–June 11, 2006