2006, ISBN: 9783638001571

Studienarbeit aus dem Jahr 2006 im Fachbereich Theaterwissenschaft, Tanz, Note: 1,7, Europa-Universität Viadrina Frankfurt (Oder) (Kulturwissenschaftliche Fakultät), Veranstaltu… Mehr…

Studienarbeit aus dem Jahr 2006 im Fachbereich Theaterwissenschaft, Tanz, Note: 1,7, Europa-Universität Viadrina Frankfurt (Oder) (Kulturwissenschaftliche Fakultät), Veranstaltung: Theatertheorien des 20. Jh., Sprache: Deutsch, Abstract: This paper investigates the 'menschenbild' behind the acting theories of Strasberg and Grotowski. As well, it examines Stanislavski's technique of accessing the 'emotional memory' and how this technique is used in theatrical performance. Strasberg and Grotowski are both influenced by Stanislavski, yet they each have differing opinions about how an actor can mine their subconscious. Strasberg stresses the primacy of the internal. Whereas Grotowski advocates physical and psychological self-transgression. Both theorists tend to violate the intimate boundaries of the actor. This paper argues that a should 'menschenbild' include respect and the inviolability of the psyche. Strasberg and Grotowski's ideas do not guarantee an emotionally secure situation for the actor on stage. Also, it is debatable if their techniques are even effective in creating visceral performances on stage, since real experience is the aim of naturalistic theatrical performance. This paper maintains, in Stanislavski's tradition, a performance technique that includes the outside world is essential to achieve a vivid and truthful acting style. Digital Content>E-books>Theatre & Drama>Theatre Arts>Theatre Arts, GRIN Verlag GmbH Digital >16<

2006, ISBN: 9783638001571

Studienarbeit aus dem Jahr 2006 im Fachbereich Theaterwissenschaft, Tanz, Note: 1,7, Europa-Universität Viadrina Frankfurt (Oder) (Kulturwissenschaftliche Fakultät), Veranstaltu… Mehr…

Studienarbeit aus dem Jahr 2006 im Fachbereich Theaterwissenschaft, Tanz, Note: 1,7, Europa-Universität Viadrina Frankfurt (Oder) (Kulturwissenschaftliche Fakultät), Veranstaltung: Theatertheorien des 20. Jh., Sprache: Deutsch, Abstract: This paper investigates the 'menschenbild' behind the acting theories of Strasberg and Grotowski. As well, it examines Stanislavski's technique of accessing the 'emotional memory' and how this technique is used in theatrical performance. Strasberg and Grotowski are both influenced by Stanislavski, yet they each have differing opinions about how an actor can mine their subconscious. Strasberg stresses the primacy of the internal. Whereas Grotowski advocates physical and psychological self-transgression. Both theorists tend to violate the intimate boundaries of the actor. This paper argues that a should 'menschenbild' include respect and the inviolability of the psyche. Strasberg and Grotowski's ideas do not guarantee an emotionally secure situation for the actor on stage. Also, it is debatable if their techniques are even effective in creating visceral performances on stage, since real experience is the aim of naturalistic theatrical performance. This paper maintains, in Stanislavski's tradition, a performance technique that includes the outside world is essential to achieve a vivid and truthful acting style. Digital Content>E-books>Theatre & Drama>Theatre Arts>Theatre Arts, GRIN Verlag GmbH Digital >16<

2008, ISBN: 3638001571

Studienarbeit aus dem Jahr 2006 im Fachbereich Theaterwissenschaft, Tanz, Note: 1,7, Europa-Universität Viadrina Frankfurt (Oder) (Kulturwissenschaftliche Fakultät), Veranstaltung: Theate… Mehr…

Studienarbeit aus dem Jahr 2006 im Fachbereich Theaterwissenschaft, Tanz, Note: 1,7, Europa-Universität Viadrina Frankfurt (Oder) (Kulturwissenschaftliche Fakultät), Veranstaltung: Theatertheorien des 20. Jh., Sprache: Deutsch, Abstract: This paper investigates the 'menschenbild' behind the acting theories of Strasberg and Grotowski. As well, it examines Stanislavski's technique of accessing the 'emotional memory' and how this technique is used in theatrical performance. Strasberg and Grotowski are both influenced by Stanislavski, yet they each have differing opinions about how an actor can mine their subconscious. Strasberg stresses the primacy of the internal. Whereas Grotowski advocates physical and psychological self-transgression. Both theorists tend to violate the intimate boundaries of the actor. This paper argues that a should 'menschenbild' include respect and the inviolability of the psyche. Strasberg and Grotowski's ideas do not guarantee an emotionally secure situation for the actor on stage. Also, it is debatable if their techniques are even effective in creating visceral performances on stage, since real experience is the aim of naturalistic theatrical performance. This paper maintains, in Stanislavski's tradition, a performance technique that includes the outside world is essential to achieve a vivid and truthful acting style. Media eBooks, 18 Seiten, Media > Books, GRIN Verlag, 2008<

ISBN: 9783638001571

*Stanislawski Strasberg Grotowski. Eine Reflektion über die 'Kunst des Erlebens'* - Eine Reflektion über die 'Kunst des Erlebens'. 1. Auflage / epub eBook für 13.99 € / Aus dem Bereich: e… Mehr…

*Stanislawski Strasberg Grotowski. Eine Reflektion über die 'Kunst des Erlebens'* - Eine Reflektion über die 'Kunst des Erlebens'. 1. Auflage / epub eBook für 13.99 € / Aus dem Bereich: eBooks, Kunst,, Musik & Design Medien > Bücher nein eBook als epub eBooks > Kunst, Musik & Design, GRIN Verlag<

ISBN: 9783638001571

Stanislawski Strasberg Grotowski. Eine Reflektion über die 'Kunst des Erlebens' - Eine Reflektion über die 'Kunst des Erlebens'. 1. Auflage: ab 13.99 € eBooks > Kunst, Musik & Design GRIN… Mehr…

Stanislawski Strasberg Grotowski. Eine Reflektion über die 'Kunst des Erlebens' - Eine Reflektion über die 'Kunst des Erlebens'. 1. Auflage: ab 13.99 € eBooks > Kunst, Musik & Design GRIN Verlag eBook als epub, GRIN Verlag<